Paul Goldberger

Paul Goldberger Paul Jesse Goldberger (born December 4, 1950) is an American architectural critic, author, journalist, lecturer, and professor of design. In 1984 he received the Pulitzer Prize for Distinguished Criticism. Quotes There is one architectural firm in New York City that has been notably successful in obtaining commissions in the Civic Center, Manhattan civic-center area, so much so that the blocks behind and just north and south of the Manhattan Municipal Building Municipal Building seem at first glance to consist entirely of structures of its design. The firm is Jordan Gruzen Gruzen & Partners, and unlike most of the other politically well-connected architects who operate in New York, the standard of design has been relatively decent.The firm's impact here has been enormous. Most notable is the 1 Police Plaza Police Headquarters, completed in 1973 ... The City Observed, New York: A Guide to the Architecture of Manhattan Random House 1979 039450450X 1st part of quote last part of quote Books about technical subjects for nontechnicians tend to be obtuse, condescending, or both. The Tower and the Bridge is neither. It is a clear, concise introduction to a difficult subject, and it is written with respect and even passion — something one rarely finds in a book with the word engineering in its title. David P. Billington is clearly moved by great structures — he means it when he says that major works of structural engineering are like the art of poetry, while architecture is the art of prose. ... Mr. Billington creates a set of standards for judging the great structures of the 19th and 20th centuries, and he applies them fairly and consistently. He admires most those works that bring beauty out of relatively spare physical form — the Eiffel Tower, Fazlur Rahman Khan Fazlur Khan's skyscrapers — and he has a good enough eye to distinguish between what is simple and elegant and what is simple and plain. review of The Tower and the Bridge: The New Art of Structural Engineering by David P. Billington https://www.nytimes.com/1984/02/26/books/in-short-252141.html February 26, 1984 23, Section 7 The New York Times There is a fragility inherent in the symbolism of every great street in New York: Broadway (Manhattan) Broadway stands for a theater that is perpetually in crisis, Wall Street for financial empires that seem ever ready to decamp to New Jersey, and Fifth Avenue, perhaps the most celebrated of them all, for a luxury and a style that once seemed unique to New York, but now feels more and more like what can be found in every medium-sized city and shopping mall from here to La Jolla. January 7, 1990 Architecture View; Has Fifth Avenue Become Beside the Point? The New York Times https://go.gale.com/ps/i.do?id=GALE%7CA175414916&sid=googleScholar&v=2.1&it=r&linkaccess=abs&issn=03624331&p=AONE&sw=w&userGroupName=anon%7E78625005&aty=open-web-entry ... Vitruvius, writing in ancient Rome around 30 bc, set out the three elements of architecture as "commodity, firmness, and delight," and no one has done better than his tripartite definition, for it cogently sums up the architectural paradox: a building must be useful while at the same time it must be the opposite of useful, since art—delight, in Vitruvian parlance—by its very essence has no mundane function. And then, on top of all that, a building must be constructed according to the laws of engineering, which is is to say that it must be built to stand up. ...The builders of the Egyptian pyramids Pyramids, the Ancient Greek temple Greek temples, Roman aqueducts, and Gothic cathedrals and churches Gothic cathedrals were all engineers as much as architects; to them these disciples were one. So, too, with Filippo Brunelleschi Brunelleschi and his Filippo Brunelleschi#Florence Cathedral dome (1420–1461) Duomo in Florence, or Michelangelo at St. Peter's Basilica St. Peter's. In our time, the disciplines have diverged, and engineers are not architects. But every great structure of modern times, from Jorn Utzon's Sydney Opera House to Frank Gehry's Guggenheim Museum Bilbao, is a product of engineers as much as of architects; without firmness, there will be no delight. All three elements of architecture are essential. Why Architecture Matters Why X Matters Series Yale University Press 2009 0300155778 https://books.google.com/books?id=DiCEj-RB8egC&pg=PA7 7–8 I once heard a prominent museum director call Zaha Hadid the Lady Gaga of architecture. Her fame as an architect owes much to her image as a flamboyant diva who produces striking, over-the-top buildings—a wild woman who makes wild things. Perhaps this is why, despite being the first woman to win the Pritzker Architecture Prize Pritzker Prize, she has had so little success in the United Kingdom, where her practice was founded, in 1980, and has been based ever since. When the British build modern things, they tend to like them cool and buttoned-up, and Hadid’s buildings are almost explosive in their energy. They look as if they could fly you to the moon. Lady Zaha July 25, 2011 The New Yorker https://www.newyorker.com/magazine/2011/07/25/lady-zaha The extraordinary shape Frank Gehry Gehry had conceived for Guggenheim Museum Bilbao Bilbao, a swirling, curving structure covered largely in titanium, inspired the architect Philip Johnson, who toured the museum a few months before its completion, to proclaim it "the greatest building of our time." It stood as evidence of Gehry's ability to envision form that had not existed before: exhilarating, robust, and baroque in its richness and complexity. The museum could not be called anything but modern, but it was not your father's modernism. Its unusual form bore no resemblance to the stark glass boxes that most people identified with modern architecture. Building Art: The Life and Work of Frank Gehry Knopf Doubleday Publishing Group 2015 1101875801 https://books.google.com/books?id=eFKwBgAAQBAJ&pg=PA5 5 Quotes about Paul Goldberger Three years are gone, and the Collapse of the World Trade Center shock of the great wound has faded from New York. Sorrow and rage have ebbed. The void of ground zero is another construction site. Its fate is now part of a story of process. In this fine book, Paul Goldberger weaves a vivid tale of that process, its hopeful visions, its small triumphs, its ultimate stalemate. His credentials are obvious: more than 30 years as architecture critic of The New York Times and The New Yorker; author of respected books on city buildings. He saw the World Trade Center (1973–2001) World Trade Center go up; 30 years later he gazed at its rubble. Pete Hamill, September 12, 2004 https://www.nytimes.com/2004/09/12/books/review/up-from-zero-who-can-reach-the-dead.html review of Up from Zero: Politics, Architecture, and the Rebuilding of New York by Paul Goldberger The New York Times External links Paul Goldberger articles The New Yorker https://www.newyorker.com/contributors/paul-goldberger June 8, 2015 Reflections on Architecture Criticism with Paul Goldberger - Conversations with History University of California Television (UCTV), YouTube https://www.youtube.com/watch?v=Wzk9sUxP948 (interview conducted by Harry Kreisler) Category:1950 births Category:Living people Category:Critics from the United States Category:Journalists from New Jersey Category:Non-fiction authors from the United States Category:Pulitzer Prize winners Category:Yale University alumni