Víctor Jara

thumb|Víctor Jara thumb|right|200px|Once more they want to stain my country with the blood of working people.Those who talk of libertybut whose hands are marked with guilt;who want to separatemothers from their childrenand want to reconstruct the cross that Christ bore. - Vientos del Pueblo (1973) Víctor Jara Martínez (September 28, 1932 – September 15, 1973) was a Chilean singer-songwriter, theatre director, pedagogue and political activist. He played a pivotal role in the folkloric renaissance that led to the Nueva Cancion Chilena [NCC] (New Chilean Song) movement - which created a revolution in the popular music of his country. Quotes The cultural invasion is like a leafy tree which prevents us from seeing our own sun, sky and stars. Therefore in order to be able to see the sky above our heads, our task is to cut this tree off at the roots. US imperialism understands very well the magic of communication through music and persists in filling our young people with all sorts of commercial tripe. With professional expertise they have taken certain measures: first, the commercialization of the so-called ‘protest music’; second, the creation of ‘idols’ of protest music who obey the same rules and suffer from the same constraints as the other idols of the consumer music industry – they last a little while and then disappear. Meanwhile they are useful in neutralizing the innate spirit of rebellion of young people. The term ‘protest song’ is no longer valid because it is ambiguous and has been misused. I prefer the term ‘revolutionary song’. In 1969 Jara commented about the distinction between the commercialised ‘protest song phenomenon’ imported into Chile and the nature of the New Chilean Song Movement (NCC). Jara, Joan (1983). Victor: An Unfinished Song. Jonathan Cape. 0-224-02954-1. p. 121 Love of my home, my wife and my children./ Love for the earth that helps me live./ Love for education and of work./ Love of others who work for the common good./ Love of justice as the instrument that provides equilibrium for human dignity./ Love of peace in order to enjoy one's life./ Love of freedom, but not the freedom acquired at the expense of others’ freedom, but rather the freedom of all./ Love of freedom to live and exist, for the existence of my children, in my home, in my town, my city, among neighbouring people./ Love for freedom in the environment in which we are required to forge our destiny./ Love of freedom without yokes: nor ours nor foreign. When asked, four days before the military coup of September 11, 1973, what the word ‘Love’ meant to him. Section: Biography/Victor y el amor of http://www.fundacionvictorjara.cl/ 10/04/2007 I believe nothing can stop this song. Nothing holds it back—just as nothing can stop the process of change looming across the entire continent. I am a music worker; I am not an artist. The people and time will tell whether I am an artist. Right now, I am a worker—and a worker with a very clear sense of purpose.https://www.academia.edu/43283421/Una_conversaci%C3%B3n_con_Edgar_Montiel_sobre_Am%C3%A9rica_interpretada_por_el_ensayo Quotes about Jara thumb|Víctor Jara performing in Helsinki at a protest against the war on Vietnam. The junta broke the fingers on Victor Jara’s handsThey said to the gentle poet “play your guitar now if you can”Victor started singing but they brought his body downYou can kill that man but not his songWhen it’s sung the whole world roundIf you can sing for freedom I can too Holly Near “It could have been me” 1974. Victor Jara of ChileLived like a shooting starHe fought for the people of ChileWith his songs and his guitarHis hands were gentle, his hands were strong Adrian Mitchell “Victor Jara of Chile” 1974 As long as we sing his songs,As long as his courage can inspire usto greater courageVictor Jara will never die. Pete Seeger “Singout Magazine” 1975 Victor Jara, assassinated by the Chilean dictatorship, Benjo Cruz fallen during his participation in the guerilla war of Teoponte, Jorge Salerno, executed during the Pando takeover, are living symbols of the impossibility our imperialist enemy has at silencing the collective voice of our Latin American people. “There are musicians who are only musicians” Haydée Santamaria once said, and she added that what was true about Victor, Jorge y Benjo was that “they were musicians that loved the people”. To these group of voices belongs Victor Jara, whom I personally knew, with whom I sang; we would dialogued and discussed each others’ songs, united in the objective of finding a new humanity. Daniel Viglietti (1975) Please remember Victor Jara,In the Santiago Stadium, Es verdad – those Washington Bullets again. The Clash “Washington Bullets” 1980 When a rural Ecuadorian, in the heart of the mountains, listens on his transistor radio to the Chilean Victor Jara singing his “Plegaria a un Labrador” (A farmers prayer) he is, although he may not realize it, listening to a piece of folklore. Such songs belong to a group of sometimes ephemeral phenomena which might be called “subjective folklore”, and which have not yet been given a place among the categories made by folklore specialists. Daniel Viglietti “Nueva Canción: Latin America’s song without frontiers” UNESCO Courier, April 1986, p. 10 And in the world, a heart of darkness, a fire zoneWhere poets speak their heart, then bleed for itJara sang, his song a weapon in the hands of loveYou know his blood still cries from the groundIt runs like a river, runs to the seaIt runs like a river to the sea U2 in “One Tree Hill” 1987 External links Victor Jara Victor Jara Foundation Site (Spanish language) Category:Political activists Category:Musicians from Chile Category:Singer-songwriters Category:Poets from Chile Category:Educators from Chile Category:Leninists Category:Marxist humanists Category:Executed people Category:People from Santiago de Chile Category:1932 births Category:1973 deaths Category:Folk singers Category:Anti-fascists Category:Guitarists Category:Theatre directors Category:Former Roman Catholics