Dutch/Example 16

ex 16 Souterliedekens Clemens non papa Souterliedekens thumb|250px|The Habsburgian Netherlands in 1548 Jacobus Clemens non Papa (ca. 1510- 1556) was a prolific composer of the Renaissance period in what was then the Habsburgian Netherlands. These were 17 provinces ruled by Karel V of Habsburg, who was also German emperor and king of Spain. Karel was born in Ghent and his 17 provinces, where he resided, covered what is now the Benelux plus a considerable chunk of territory that is now part of France. Soon the religious wars would make the northern 7 provinces and independent republic, dominated by the Calvinist church, while the south would remain under the -most Catholic- Habsburg king who resided in Spain. Wars between France and Spain would then lead to loss of territory to France. Apart from these French territories, the North and South would be briefly reunited from 1815-1830 to fall apart again into the Netherlands, Belgium an Luxemburg as they are today. We do not know much about Clemens's personal life. He might have been born in Zeeland, north of today's border with Belgium. He certainly worked south of it in Brugge, but also north in 's-Hertogenbosch. He is probably buried in Diksmuide in Belgium. Although most of his work is in Latin and quite polyphonic, Dutch was his mother tongue and he is particularly famous for writing the Souterliedekens (the little songs of the Psalter). He took melodies of popular folk songs and a Dutch translation of the Psalms and then made three part polyphonic pieces out of that. This video gives an example of his work. First the text of the 31st psalm ("Saligh sij zijn") is sung on a folk melody a cappella solo. Then the folk song itself ("Een lied eerbaer") is sung with accompaniment. Lastly the psalm returns, now in a three part a cappella setting. As you will hear, ij is not a diphthong yet but is still pronounced as a long [i:] sound in 16th century Dutch. First study the text below. On the left is the original 16th century Dutch that differs quite a bit from the language today. On the right is the modern version Een lied eerbaerEen eerbaar honorable liedEen lied eerbaer van die liefste moet ic singhen, Scheyden van haer bedroeft mijn hart en sinnen, Sy is certeyn certainly de alderliefste greyn lit grain: the best boven alle schoone vrouwen; door haer alleyn treur ick in rouwen with dative -en ending.Een eerbaar lied over mijn geliefde moet ik zingen Te scheiden separate van haar bedroeft saddens mijn hart en zinnen senses Zij is zeker de allerliefste most precious schat treasure, darling boven alle schone originally: beautiful, now: clean vrouwen Door haar alleen treur lament ik in rouw mourning.Psalm 31Psalm 31Salich Blessed sij zijn Wiens boosheyt evil is vergheven Bedect (hoort mij) Wiens sonden zijn ghebleven Salich ick meyn Is hy dyen dien: dative of die: to whom God alleyn Gheen sonden wil toescriven Wiens gheest certeyn Van bedroch wel reyn can bliven.Zalig Blessed zijn zij van wie de boosheid here:evil, sin, usually: anger vergeven is Vervloekt cursed (hoor mij!) van wie de zonden sins gebleven zijn Zalig, meen ik I think, in my opinion, is hij aan wie God alleen geen zonden toeschrijven attribute wil wiens geest ghost, spirit zeker van bedrog deceit, fraud wel rein clean, pure kan blijven Een lied eerbaer An honorable song I must sing of my beloved To separate from her saddens my heart and senses She surely is the most precious darling of all beautiful women By her alone I lament in mourning Psalm 31 Blessed are they whose evil is forgiven Cursed (hear me!) whose sins have remained Blessed, in my opinion is he to whom God only does not want to ascribe sins whose spirit surely can remain pure from deceit