411 REFERENCE · Wikibooks
Interlingua/Curso de conversation/Capitulo 2, Scenas 5 e 6 (anglese)
Reference material by Wikibooks contributors. This retains its source identity and is not 411 news reporting.
SCENE 5: Strasbourg: Petro is in a travel agent's
office. He is making reservations for a flight
to Geneva. There is no direct flight to that
destination, and he must fly to Paris and transfer
to another plane. The agent suggests that Petro
go to Lyon and from Lyon by a high-speed train (TGV)
to Geneva, but Petro prefers to travel completely
by plane. The agent then sells him a ticket to
Geneva via Paris, and Petro gives him a check for
the trip.
Petro: Can you help me?
The agent: Just a moment. Yes. What can I do
for you?
Petro: I want to go to Geneva this Sunday.
The agent: How do you want to go there?
Petro: By plane.
The agent: What company?
Petro: The company? That doesn't matter. Any
company is okay.
The agent: First class? Tourist class?
Petro: Tourist class.
The agent: Morning or afternoon?
Petro: I prefer the afternoon. Let's say about
three or four o'clock.
The agent: Then ... well, it seems that there isn't
a direct flight between Strasbourg and Geneva.
You'll have to transfer to another plane in Paris.
There is an Air Inter flight between Strasbourg
and Paris. You will then go by Air France to Geneva.
You will leave in the morning.
Petro: And ... the trip takes how long?
The agent: Let's see. ... It depends on the time
that you have to wait in Paris. When do you want
to leave? What day?
Petro: Sunday. Next Sunday. At ten o'clock.
The agent: Sunday. ... You then will have an Air
Inter flight for Paris at eleven thirty, which arrives
in Paris at twelve forty-five.
Petro: Yes. ... And afterwards, how do I get to
Geneva?
The agent: You then have an Air France flight for
Geneva, which leaves at seventeen hundred fifteen
hours from Paris and arrives in Geneva at seventeen
hours twenty.
Petro: There's no direct flight?
The agent: No, none. If you don't want to take
two planes, you can go by plane to Lyon, and then
you can take the TGV to Geneva at seventeen hundred
hours twenty.
Petro: Yes, but I would have to go from the Lyon
airport to the railroad station. No. I prefer
to take the plane.
The agent: Very well. Can you give me your name?
Petro: Minelli, em, I, en, ee, double ell, I.
The agent: Your initials?
Petro: Pea, as in Petro.
The agent: Just a minute. Do you want to reserve
your trip from Geneva at this time?
Petro: No, I don't want a round-trip ticket. A
one-way ticket to Geneva is good enough.
The agent: Fine. One minute, please. Here's your
ticket. Your reservation is for Sunday the tenth
of this month. You leave Sunday from Strasbourg
at eleven thirty and you arrive at Geneva at seventeen
hundred hours twenty. You then will have to wait
in Paris three and a half hours.
Petro: Very well, thank you.
The agent: How do you want to pay? Credit card?
Check? Cash?
Petro: By check.
The agent: Fine. The total price is sixteen hundred
euros, please.
Petro: Okay. How do you want me to make out my
check?
The agent: To the Kaufman Agency.
Petro: Kay, ...
The agent: Kay, ay, you, eff, em, ay, double en.
Petro: Thanks. Here's the check.
EXERCISE 5: Buying a ticket.
Guide: Good. Petro has reserved his plane seat.
Let's try practicing the vocabulary used to do this.
What do you say to the travel agent?
A man: I want to go to Frankfurt on Friday, the
fourth of June. I want to travel by plane. I want
to reserve a plane seat for Frankfurt.
A woman: When do you want to leave?
A man: Friday.
A woman: There is a flight at ten o'clock.
A man: Is there a flight in the afternoon?
A woman: Yes. There is another Lufthansa flight
at four o'clock.
A man: What time does it get to Paris?
A woman: The flight lasts an hour.
A man: Then I will arrive there at five o'clock?
A woman: Yes, exactly.
A man: Fine. Can you reserve for me a seat on
the four o'clock flight to Frankfurt?
A woman: Yes. I can prepare for you a ticket for
the four o'clock flight to Frankfurt. And when
do you want to return?
A man: Can I leave the return flight open? I don't
know right now when I will be able to return, and
I would like to decide this later.
A woman: Yes, I understand. I am leaving the return
ticket open. How do you want to pay? You can pay
with a check.
A man: Can I pay with a credit card?
A woman: Yes, naturally. Or you can also pay in
cash. How do you want to pay?
A man: With a credit card. How much does the ticket
cost?
A woman: Six hundred fifty-five euros.
A man: Very well. Here's my credit card.
Guide: Let's return to Petro. He is in the airport,
and he is now making a new friend.
SCENE 6: Peter is at the point of getting on the
plane for Geneva at the Strasbourg airport, where
he meets a certain Mr. Melville, who says he is
a business consultant. Petro gives him a rather
detailed description of his work.
Mr. Melville gives him his card, saying that, because
of his many contacts with various governments, he
probably will be able to send some new projects to
Petro. He suggests finally that Petro send him a
detailed plan for an engineering project. Petro
is very happy and says he will send something to Mr.
Melville very soon.
The flight attendant: Passengers who have a green
embarcation card will have the first priority for
embarking. Please give passengers with a green
embarcation card the first priority for embarking
on the plane.
Melville: My card is green.
Petro: So is mine. It seems we have only thirty
minutes to wait.
Melville: Yes. Do you live in Geneva, or are you
going there only as a tourist?
Petro: I'm gonna work there.
Melville: Oh, yes. What do you do?
Petro: I work in urban transport.
Melville: Really?
Petro: Yes. Trains, buses, etc.
Melville: Allow me to introduce myself. My name
is John Melville.
Petro: Petro Minelli. Very nice to meet you.
Melville: So you're an engineer?
Petro: Yes, exactly. I have a technical and
commercial background, both of them.
Melville: Tell me a little about these systems
of transport and about your new company. That
interests me.
Petro: Okay. Imagine that you have a city of about
a million people. You need a means of public
transportation, underground possibly, like the metro.
Or perhaps you want a suspended monorail. Or possibly
a surface vehicle, a tramway.
Melville: Interesting. Continue.
Petro: You come to see us. We explain to you the
existing possibilities. We talk to you. We submit
to you different solutions. We then can construct
the transport project for you that you find most
suitable.
Melville: How? You provide the material, the
machines, the locomotives, the trains?
Petro: Everything. We build everything through
the companies in our group.
Melville: At a price.
Petro: At a very competitive price. I think you
will really find what we offer you to be the most
cost effective of all possibilities.
Melville: That's very interesting. Very interesting.
Listen, do you have a card?
Petro: I don't have my new card.
Melville: Let me give you mine. I can't find my
professional card at this moment, but here's my
personal card. It is possible that I can send a
project or two your way.
Petro: Oh yeah? What type of work do you do?
Melville: I am a consultant for different enterprises,
but I have especially good contacts with different
government agencies, and I think that I could have
need for services similar to yours.
Petro: Really? That sounds very good.
Melville: There is something that you can do for
me. Let's say we have a city of a million inhabitants,
for example. Let's say that we have such a city
in the Middle East. Can you send me a letter
explaining to me how you would begin, how you would
establish your schedules and prices, how much time
would be necessary for the project, etc. Can you
do that?
Petro: Certainly. I will give you an idea of our
ways of planning our projects and what we can offer
our clients.
Melville: Perfect.
The flight attendant: In a few minutes we will
be arriving in Geneva. Please put out your cigarettes
and attach your seat belts.
Melville: Very interesting. Very interesting indeed.
Guide: Very well. Petro has arrived in Geneva.
It seems his new work will be starting very soon.
Let's see what happens in the next part.