411 REFERENCE · Wikibooks
Theatre and Acting/Objectives, Obstacles, Tactics
Reference material by Wikibooks contributors. This retains its source identity and is not 411 news reporting.
Objective
The actor must find out what his or her character "wants." "I want," "I need," "I must have" statements help the actor to solidify the motivations behind the character's actions and emotions.
The obstacle is what stands in the way of the objective.
Super Objective
Broad overall objective for a character that works throughout the play. Provides a through line and arc for the character.
I need love
I need to have power.
I want security.
I want to find the love of my life.
I want peace.
I want a family.
A "need" is stronger than a "want" and is usually the stronger choice because it creates more drive for an actor.
Objective
Every scene has an "Objective". This is best formatted (for the actor) as what you want to get from the other person in the scene.
I need you to worship me.
I need you to love me.
I need you to give me my power back.
I desire validation.
Actions
The strategy used to achieve your objective. A character will use a certain action to get their objective. They switch actions when they feel it is not working anymore. Make sure when you pick actions that you are using playable words (use ACTIVE VERBS.)
Good Examples
To scold
To taunt
To cheer up
To scare
To seduce
To bribe
To bargain
To flirt
To corrupt
Not So Good Examples
To understand
To complicate
To imagine
To cry
To feel
To yell
To run
The not so good examples are DEAD END actions. Dead end tactics do not work through the other characters on stage(your identifiable partner). There is a big difference between "I am angry at her" (what are you going to do about it?) and "I want to destroy her."