10 Cloverfield Lane (soundtrack)

August 2024 August 2024 10 Cloverfield Lane (Original Motion Picture Soundtrack) film Bear McCreary 10 Cloverfield Lane (soundtrack).png March 11, 2016 2015–2016 Film score 63:32 Sparks & Shadows Paramount Bear McCreary Joe Augustine Steve Kaplan The Boy 2016 Colossal 2017 10 Cloverfield Lane (Original Motion Picture Soundtrack) is the soundtrack to the 2016 film 10 Cloverfield Lane, directed by Dan Trachtenberg and produced by J. J. Abrams under his Bad Robot production company. The film's score is composed by Bear McCreary and released under his Sparks & Shadows and Paramount Music label on March 11, 2016. Development Bear McCreary was offered to score the film during June 2014.McCreary Bear 2016-03-12 10 Cloverfield Lane https://bearmccreary.com/10-cloverfield-lane/ live https://web.archive.org/web/20220120050421/https://bearmccreary.com/10-cloverfield-lane/ 2022-01-20 2024-08-13 en-USSarner Lauren 2016-03-04 Composer Bear McCreary Lets Us Inside '10 Cloverfield Lane' https://www.inverse.com/article/12361-composer-bear-mccreary-lets-us-inside-10-cloverfield-lane live https://web.archive.org/web/20160323032650/https://www.inverse.com/article/12361-composer-bear-mccreary-lets-us-inside-10-cloverfield-lane 2016-03-23 2024-08-13 Inverse en While he was unaware of the project, he received the script from the producers and after reading it, he found it exciting as it was "an absolute page-turner, just a gripping thriller".Chitwood Adam 2016-03-08 10 Cloverfield Lane: Bear McCreary on the Score, J.J. Abrams https://collider.com/bear-mccreary-10-cloverfield-lane-the-walking-dead-interview/ live https://web.archive.org/web/20160613121617/https://collider.com/bear-mccreary-10-cloverfield-lane-the-walking-dead-interview/ 2016-06-13 2024-08-13 Collider en McCreary met Abrams and Trachtenberg to discuss the musical ideas which went on for six weeks. After their initial discussions, he sketched those ideas and visited on set to get a clarity on the musical landscape and build the sonic foundation for the score. Abrams could not fully participate in the musical discussions as he was directing Star Wars: The Force Awakens (2015) but joined it after completing the film. Trachtenberg found the musical score to evoke Bernard Herrmann's compositions for Alfred Hitchcock's films, but also takes inspiration from Ennio Morricone and Jerry Goldsmith's science fiction and thriller scores during the 1960s–1970s.Thrower Emma January 3, 2016 10 Cloverfield Lane director Dan Trachtenberg on Bad Robot and fan theories https://empireonline.com/movies/features/10-cloverfield-lane-director-dan-trachtenberg-bad-robot-fan-theories/ live https://web.archive.org/web/20170807214313/https://empireonline.com/movies/features/10-cloverfield-lane-director-dan-trachtenberg-bad-robot-fan-theories/ August 7, 2017 2 March 2016 Empirehttps://www.npr.org/2016/03/10/469951870/from-television-to-10-cloverfield-lane-a-composer-plays-with-surprise-and-luck From Television To '10 Cloverfield Lane,' A Composer Plays With Surprise — And Luck 2016-03-10 Radio broadcast All Things Considered 2024-08-13 https://web.archive.org/web/20160414213248/https://www.npr.org/2016/03/10/469951870/from-television-to-10-cloverfield-lane-a-composer-plays-with-surprise-and-luck 2016-04-14 live National Public Radio Since the film is mostly set in a contained environment, he wanted to develop a tense score which would be tight, close and claustrophobic but also provide an epic feel and develop the score bigger as the film is a part of a broader cinematic universe.Kwok Chuen Marine Wong 2016-04-07 Bear McCreary's dark and melodic score for 10 Cloverfield Lane http://magazine.scoreit.org/bear-mccreary-10-cloverfield-lane/ live https://web.archive.org/web/20240221094844/http://magazine.scoreit.org/bear-mccreary-10-cloverfield-lane/ 2024-02-21 2024-08-13 Score It Magazine en-US Abrams' involvement, who had a keen eye on the film's music, pushed the score in a more cinematic direction and evolved the film's tone as well. The resultant score eventually became a culmination of the aforementioned factors which was a unique mix of sounds.McFarland Kevin 2016-03-16 How a Brilliant TV Composer Moved on Up to 10 Cloverfield Lane https://www.wired.com/2016/03/10-cloverfield-lane-composer-bear-mccreary/ live https://web.archive.org/web/20180828172232/https://www.wired.com/2016/03/10-cloverfield-lane-composer-bear-mccreary/ 2018-08-28 2024-08-13 Wired en-US 1059-1028 The music in the first act had percussive sounds, for which McCreary used a blaster beam, most famous for its use in Star Trek: The Motion Picture (1979). Most of the film score had an orchestral palette but also blended propulsive percussion sounds with the addition of multiple instruments. It was considered to be the soul of the film. He used a Turkish instrument named the yaylı tambur which was prominently used in the score, and custom percussions made from the sounds of cans, barrels, cinderblocks, broken glass and hit machinery which McCreary recorded in his warehouse. Those sounds combined to provide a mix of orchestral, synth and electro-acoustic score jammed together in one. Release The film score was released under McCreary's Sparks & Shadows and published by Paramount Music label on March 11, 2016, alongside the film.March 4, 2016 '10 Cloverfield Lane' Soundtrack Details http://filmmusicreporter.com/2016/03/04/10-cloverfield-lane-soundtrack-details/ https://web.archive.org/web/20160713080908/http://filmmusicreporter.com/2016/03/04/10-cloverfield-lane-soundtrack-details/ July 13, 2016 March 8, 2016 Film Music Reporter A vinyl edition was released through Mondo on March 10, 2017.10 Cloverfield Lane – Original Motion Picture Soundtrack 2XLP https://mondoshop.com/products/10-cloverfield-lane-original-motion-picture-soundtrack-2xlp live https://web.archive.org/web/20220706171320/https://mondoshop.com/products/10-cloverfield-lane-original-motion-picture-soundtrack-2xlp 2022-07-06 2024-08-13 Mondo en Reception Filmtracks.com wrote "10 Cloverfield Lane remains a truly engaging score that performs beyond most expectations."10 Cloverfield Lane (Bear McCreary) https://www.filmtracks.com/titles/10_cloverfield.html live https://web.archive.org/web/20161123095806/https://www.filmtracks.com/titles/10_cloverfield.html 2016-11-23 2024-08-13 Filmtracks.com Pete Simons of Synchrotones called it as "an expertly executed thriller score, with a dense and warm orchestral sound, beautiful orchestrations and an attractive main theme".Simons Pete 2016-04-20 10 Cloverfield Lane (Bear McCreary) https://synchrotones.com/2016/04/20/10-cloverfield-lane-bear-mccreary/ live https://web.archive.org/web/20210728142721/https://synchrotones.com/2016/04/20/10-cloverfield-lane-bear-mccreary/ 2021-07-28 2024-08-13 Synchrotones en Sean Wilson of MFiles wrote "Although there's no denying that the 10 Cloverfield Lane score is often a challenge to listen to thanks to its near-relentless nature, what it also demonstrates is that McCreary is one of our finest modern-day musical storytellers."Wilson Sean 10 Cloverfield Lane by Bear McCreary - film score soundtrack review https://www.mfiles.co.uk/reviews/bear-mccreary-10-cloverfield-lane.htm live https://web.archive.org/web/20161127120221/https://www.mfiles.co.uk/reviews/bear-mccreary-10-cloverfield-lane.htm 2016-11-27 2024-08-13 MFiles Stephanie Zacharek of Time wrote "The movie's finest feature may be Bear McCreary's playfully malicious score, a beehive of worried-sounding strings that channels the spirit of Hitchcock fave Bernard Herrmann."Zacharek Stephanie 2016-03-10 Review: 10 Cloverfield Lane Is a Nonsequel That Delivers https://time.com/4254233/10-cloverfield-lane-movie-review/ live https://web.archive.org/web/20160715052748/https://time.com/4254233/10-cloverfield-lane-movie-review/ 2016-07-15 2024-08-13 Time en Justin Lowe of The Hollywood Reporter described it as a "brooding orchestral score".Lowe Justin 2016-03-08 '10 Cloverfield Lane': Film Review https://www.hollywoodreporter.com/movies/movie-reviews/10-cloverfield-lane-film-review-873418/ live https://web.archive.org/web/20211128033930/https://www.hollywoodreporter.com/movies/movie-reviews/10-cloverfield-lane-film-review-873418/ 2021-11-28 2024-08-13 The Hollywood Reporter en-US Brian Tallerico of RogerEbert.com wrote "Bear McCreary's overheated, Hermann-esque score will make anyone who's seen Psycho think of Marion Crane in the opening act of Hitchcock's classic."Tallerico Brian 2016-03-11 10 Cloverfield Lane movie review (2016) https://www.rogerebert.com/reviews/10-cloverfield-lane-2016 live https://web.archive.org/web/20160415170046/https://www.rogerebert.com/reviews/10-cloverfield-lane-2016 2016-04-15 2024-08-13 RogerEbert.com en Peter Travers of Rolling Stone called it as a "pulsating score".Travers Peter 2016-03-09 '10 Cloverfield Lane' Movie Review https://www.rollingstone.com/tv-movies/tv-movie-reviews/10-cloverfield-lane-88730/ live https://web.archive.org/web/20160923161456/https://www.rogerebert.com/reviews/10-cloverfield-lane-2016 2016-09-23 2024-08-13 Rolling Stone en-US Track listing 10 Cloverfield Lane (Original Motion Picture Soundtrack) track listing Michelle 6:08 The Concrete Cell 8:29 Howard 5:00 A Bright Red Flash 2:53 At the Door 2:59 Two Stories 2:46 Message from Megan 3:07 Hazmat Suit 3:01 A Happy Family 3:52 The Burn 6:14 Up Above 3:03 Valencia 6:12 The New Michelle 3:25 10 Cloverfield Lane 6:23 63:32 Credits Credits adapted from liner notes.Bear McCreary 10 Cloverfield Lane (Original Motion Picture Soundtrack) Sparks & Shadows 30em Music – Bear McCreary Album producer – Bear McCreary, Joe Augustine Score producer – Bear McCreary, Steve Kaplan Engineer – James Michael House Sound design – Jonathan Chau, Jonathan Snipes, Sam Ewing Recording and mixing – Steve Kaplan Recording assistance – John Grannan Mastering – Pat Sullivan Music editor – Michael Baber Music consultant – Charles Scott Score co-ordinator – Kaiyun Wong Album coordinator – Jason Richmond Scoring assistance – Allan Hessler, David Matics, Jason Akers, Jessica Rae Huber, Laurence Schwarz, Ryan Sanchez Score manager – Joanna Pane Package design – John Hofstetter Liner notes – Bear McCreary Executive in charge of music for Paramount Pictures – Randy Spendlove Executive producer – J. J. Abrams Orchestra Orchestrators – Edward Trybek, Henri Wilkinson, Jonathan Beard Assistant orchestrators – Kory McMaster, Sean Barrett Conductor – Bear McCreary Orchestra contractor – Peter Rotter Vocal contractor – Jasper Randall Copyist – Andrew Harris Instrumentalists Bassoon – Damian Montano, Kenneth Munday, Rose Corrigan Cello – Armen Ksajikian, Cecilia Tsan, Christina Soule, Dane Little, Dennis Karmazyn, Eric Byers, Erika Duke-Kirkpatrick, Evgeny Tonkha, Gabe DiMarco, George Kim Scholes, Giovanna Clayton, Jacob Braun, John Walz, Jonathan Beard, Joo Jee, Jordan Cox, Leah Metzler, László Mezö, Maurice A. Grants, Paula Hochhalter, Simone Vitucci, Stan Sharp, Stefanie Fife, Steven Velez, Tim Landauer, Tim Loo, Trevor Handy, Vanessa Freebairn-Smith, Victor Lawrence, Xiaodan Zheng, Steve Erdody Clarinet – Ralph Williams, Stuart Clark Contrabass – Bart Samolis, Christian Kollgaard, David Parmeter, Drew Dembowski, Edward Meares, Geoffrey Osika, Nico Carmine Abondolo, Stephen Dress, Thomas Harte, Michael Valerio Flute – Julie Burkert, Jenni Olson Harp – Jo Ann Turovsky Horn – Benjamin Jaber, Danielle Ondarza, Dylan Hart, John E. Mason, Katelyn Farudo, Mark Adams, Philip Edward Yao, Steve Becknell, Teag Reaves, Laura Brenes Oboe, English horn – Chris Bleth Trombone – William Reichenbach, Craig Gosnell, Phillip Keen, William Booth, Alexander Iles Trumpet – Daniel Rosenboom, James Wilt, Robert Schaer, David Washburn Tuba – Lukas Storm, Gary Hickman Viola – Brian Dembow, Darrin McCann, David Walther, Jessica Vanvelzen-Freer, John Zach Dellinger, Jonathan Moerschel, Keith Greene, Laura Pearson, Luke Maurer, Matthew Funes, Meredith Crawford, Pamela Jacobson, Robert A. Brophy, Shawn Mann, Vicki Miskolczy, Andrew Duckles Violin – Alyssa Park, Ana Landauer, Andrew Bulbrook, Benjamin Powell, Benjamin Jacobson, Bruce Dukov, Charlie Bisharat, Darius Campo, Erik Arvinder, Eun-Mee Ahn, Helen Nightengale, Irina Voloshina, Jay Rosen, Jennifer Munday, Jessica Guideri, Josefina Vergara, Julie Rogers, Katia Popov, Kevin Connolly, Leah Zeger, Lisa Liu, Lisa Sutton, Lorand Lokuszta, Lorenz Gamma, Luanne Homzy, Maia Jasper, Maya Magub, Natalie Leggett, Neli Nikolaeva, Paul Cartwright, Paul Henning, Phillip Levy, Radu Pieptea, Rafael Rishik, Rebecca Bunnell, Robert Anderson, Sandra Cameron, Sarah Thornblade, Serena McKinney, Sharon Jackson, Songa Lee, Tamara Hatwan, Tereza Stanislav, Julie Gigante Soloists Blaster beam – Craig Huxley Strings – The Calder Quartet Yayli tanbur – Malachai Komanoff Bandy Vocals – Raya Yarbrough Accolades +Accolades for 10 Cloverfield Lane (Original Motion Picture Soundtrack) Association Category Nominee(s) Result Ref. Reference Hollywood Music in Media Awards Best Original Score – Sci-Fi/Fantasy Film Bear McCreary Pedersen Erik November 18, 2016 Justin Timberlake & Alexandre Desplat Among Winners At Hollywood Music In Media Awards https://deadline.com/2016/11/hollywood-music-in-media-awards-justin-timberlake-alexandre-desplat-trent-reznot-1201857357/ live https://web.archive.org/web/20200724094805/https://deadline.com/2016/11/hollywood-music-in-media-awards-justin-timberlake-alexandre-desplat-trent-reznot-1201857357/ July 24, 2020 November 18, 2016 Deadline Hollywood November 18, 2016McNary Dave November 2, 2016 'La La Land' Scores Three Hollywood Music in Media Nominations https://variety.com/2016/film/news/la-la-land-hollywood-music-in-media-nominations-1201907464/ live https://web.archive.org/web/20200610203538/https://variety.com/2016/film/news/la-la-land-hollywood-music-in-media-nominations-1201907464/ June 10, 2020 November 3, 2016 Variety World Soundtrack Awards Discovery of the Year World Soundtrack Awards October 19, 2016 Winners of the 16th World Soundtrack Awards http://www.worldsoundtrackawards.com/en/music-blog/winners-of-the-16th-world-soundtrack-awards/19-10-2016/2148 live https://web.archive.org/web/20170226141922/http://www.worldsoundtrackawards.com/en/music-blog/winners-of-the-16th-world-soundtrack-awards/19-10-2016/2148 February 26, 2017 October 20, 2016 World Soundtrack Academy World Soundtrack Awards August 17, 2016 World Soundtrack Awards Composer of the Year Nominations Announced http://filmmusicreporter.com/2016/08/17/world-soundtrack-awards-composer-of-the-year-nominations-announced/ live https://web.archive.org/web/20160819132821/http://filmmusicreporter.com/2016/08/17/world-soundtrack-awards-composer-of-the-year-nominations-announced/ August 19, 2016 October 20, 2016 Film Music Reporter References Category:2016 soundtrack albums Category:Bear McCreary soundtracks Soundtrack Category:Paramount Music soundtracks Category:2010s film soundtrack albums