101 (album and film)

1989 live album and documentary film by Depeche Mode September 2012 November 2020 101 live Depeche Mode Depeche Mode - 101.png 1989 3 13 y 18 June 1988 Rose Bowl (Pasadena, California) 95:45 Mute Depeche Mode Music for the Masses 1987 Violator 1990 101 live Everything Counts 13 February 1989 101 video Depeche Mode Depeche Mode - 101 (video).png 1989 3 13 y 18 June 1988 Rose Bowl (Pasadena, California) 117:00 Mute Film David Dawkins Chris Hegedus D. A. Pennebaker Frazer Pennebaker Strange 1988 Strange Too 1990 AllMusic 4 5Raggett Ned https://www.allmusic.com/album/101-mw0000198463 101 – Depeche Mode AllMusic 5 August 2018 CD Review 5/10 & 6/10Okamoto David https://archive.org/details/sim_cd-review_1989-09_6_1/page/n93/mode/2up Review: Depeche Mode – 101 CD Review 6 1 September 1989 86 1044-1700 Internet Archive The Encyclopedia of Popular Music 2 5Larkin Colin Colin Larkin (writer) 2011 The Encyclopedia of Popular Music Encyclopedia of Popular Music 5th concise London Omnibus Press 631 978-0-85712-595-8 Rolling Stone 4 5Caramanica Jon Jon Caramanica https://www.rollingstone.com/artists/depechemode/albums/album/149761/review/5941921/101 Depeche Mode: 101 Rolling Stone 1989 13 November 2008 https://web.archive.org/web/20090502064327/http://www.rollingstone.com/artists/depechemode/albums/album/149761/review/5941921/101 2 May 2009 The Rolling Stone Album Guide 3.5 5Sheffield Rob Rob Sheffield 2004 Depeche Mode Brackett Nathan Nathan Brackett Hoard Christian Christian Hoard The New Rolling Stone Album Guide The Rolling Stone Album Guide 4th New York Simon & Schuster 229–30 0-7432-0169-8 yes 101 is a live album and documentary film by the English electronic music band Depeche Mode, released on 13 March 1989 by Mute Records. It chronicles the final leg of the band's tour in support of their album Music for the Masses (1987) and the final show on 18 June 1988 at the Rose Bowl in Pasadena, California.http://www.depechemode.com/discography/home_video/04_101.html Discography > Home video > 101 DepecheMode.com 3 August 2011 https://web.archive.org/web/20110927154028/http://www.depechemode.com/discography/home_video/04_101.html 27 September 2011http://www.depechemode.com/discography/albums/10_101.html Discography > Albums > 101 DepecheMode.com 3 August 2011 https://web.archive.org/web/20110812002938/http://www.depechemode.com/discography/albums/10_101.html 12 August 2011 The show was the 101st and final performance of the tour and coincidentally also the number of a famous highway in the area. The film was directed and produced by D. A. Pennebaker. Background Music for the Masses#Tour Depeche Mode had released their previous album, Music for the Masses in September 1987Burmeister Lange 2017 165 and had followed up with the successful Music for the Masses Tour, which ran through June 1988.Burmeister Lange 2017 423-424 The tour had a US leg in December 1987, and when a second US leg was scheduled between April and June 1988, the band decided to document the legBurmeister Lange 2017 176 and cap off the tour with a special show. Singer Dave Gahan told press in interviews that the band wanted a video that reflected the highs and lows of spending 10 months on the road for a tour.U4CCYMYb2ZQ Depeche Mode / Good Morning Britain / Dave Gahan interview / 1989 Said Gahan, "We didn't want to make a run-of-the-mill 'band on stage' type of film that's been done [by others] so many times. ... We wanted to make an honest film about what it's really like," and show the backstage disagreements, discussions, and the fans.U4CCYMYb2ZQ Depeche Mode / Good Morning Britain / Dave Gahan interview / 1989 Venue The band wanted to finish their successful tour with a large, final show. Their initial idea was to do a free concert somewhere, but that idea was quickly abandoned. When the Rose Bowl was suggested, it was met with scepticism by the band's US label Sire Records, who were concerned that, because the venue was so large, it wouldn't sell out, and if it didn't sell out, it would suggest that the band's growing success was fraudulent. In addition, the label was concerned because they thought that the venue hadn't been used to host a concert since the 1970's, although it had in fact been host to a musical event just six years earlier, when a concert was held there with performers including Stevie Wonder, Aretha Franklin, Quincy Jones and Luther Vandross.https://books.google.com/books?id=eiQEAAAAMBAJ&q=billboard+boxscore+rose+bowl&pg=PT55 Billboard google.pl August 14, 1982 July 29, 2015 Documentary The band's original concept for the film was going to be about how Depeche Mode fit into the 1980s.Doole Kerry The Class of 101 Music Express 13 138 July 1989 40–44 0848-9645 They began discussions amongst themselves about the film in March 1988, before the second leg of the US tour began.Melody Maker Boys on Film Francesco Adinolfi 15 April 1989 After discussions with an experienced but unnamed director, they came to the conclusion that their original choice was going to do something "too glossy" for their tastes, as they were not looking for a "slick commercial" for the band. At this point, Virgin Records, who were handling video releases for Mute Records, suggested that they reach out to renowned documentary filmmaker D. A. Pennebaker to see if he would be interested in the project. He accepted, but discarded their initial concept, feeling that it was "impossible to examine in an entertainingly cinematic fashion". Ultimately, the film focused on what Depeche Mode considered to be their strongest selling point, their live performance, as well as capturing the spirit of their fan base.Giles Jeff Depeche Mode Interview (Sidebar) Rolling Stone 582/583 12–26 July 1990 60–65 0035-791X Notably, the film prominently features a group of young fans travelling across America as winners of a "be-in-a-Depeche Mode-movie-contest". Their bus visited New York, Pittsburgh, Nashville, Memphis, New Mexico and Arizona on its way to LA,BONG magazine February 1989 12 101 – The Movie 4 where the movie culminates at the band's landmark concert at the Rose Bowl stadium in Pasadena. Depeche Mode had noticed that in America, they often sold more concert tickets than albums.Depeche Mode: 1987–88 (Sometimes You Do Need Some New Jokes) Hallard, Ross (director); Lane, Phil Michael (director) Mute Records 2006 DVD The film features performances at the Rose Bowl concert, interspersed with snippets of the band, the "bus kids" and live performances recorded throughout the tour.Burmeister Lange 2017 176 The 2003 DVD reissue included more concert footage, but as Pennebaker was "shooting a documentary, not a concert film", a complete video record of the Rose Bowl concert does not exist.http://101dvd.depechemode.com/pressrelease.html Depeche Mode Release Classic 2 Disc DVD Set: '101' + Live 1988 Rose Bowl Show Released October 13th DepecheMode.com 2 April 2017 Pennebaker noted there was a similarity between Depeche Mode and some of the other artists he'd filmed before, including Bob Dylan and David Bowie, saying "I found the audience very rapt; they were there for that band. Not any band would do. I got the feeling that maybe there was no other band they'd ever go out for again in that assemblage, and it made me take that audience fairly seriously." During the tour, Gahan was not faithful to his wife, later saying, "I felt like shit because I constantly cheated on my wife. I went home and lied, my soul needed cleansing badly."Ultimate Music Guide 109 I definitely could have been a vampire Stephen Dalton On the tour, Gahan started a relationship with Teresa Conroy, the US Press Liaison Officer for the band, whom he would later marry in 1992.Miller 2004 453Gittins 2018 158 However, none of this was captured on film, according to band member Alan Wilder, "we never really allowed Don Pennebaker to see the darker side of being on the road." Style Pennebaker used his direct cinema approach, which he described as "letting the camera run as unobtrusively as possible, thereby encouraging events to unfold on their own. [...] You edit more and the film changes every three days, but [the band] were very nice and patient about it." Live album Although the entire Rose Bowl concert was not recorded on video, the complete concert was recorded for an audio release.Burmeister Lange 2017 176-179 Mixed at Swanyard Studios in London by then-unknown producer Alan Moulder, 101 was Depeche Mode's first full live album.Burmeister Lange 2017 179Their first concert video was The World We Live In and Live in Hamburg (1985), although no corresponding live album was ever released,Burmeister Lange 2017 104 and fragments of their 1982 tour were released as B-sides to several of their 1983 singles.Burmeister Lange 2017 49-66 Wilder said that the album had a few overdubs, saying "I doubt there's ever been a live album in the history of pop music that hasn't been touched up here and there."Miller 2004 402 Name The original name for the live album/documentary was going to be Mass, inspired by both the name of album it supported and the large crowds who were coming to the concerts.Gittins 2018 133 Said Gahan, the name 'Mass' felt appropriate because "there's something that is very religious about the whole thing [performing live to a large crowd], and it's not just from the fans to the band, it's the other way as well. You definitely feel a massive energy from all the people who are out there. ... There's an incredible energy that none of us understand."x2Hlg1C-0kA Depeche Mode – 1998-xx-xx – Arte, Strasbourg, France – (Part 2) Another name they considered was A Brief Period of Rejoicing, named after the Winston Churchill quote that opened their album Black Celebration (1986).Burmeister Lange 2017 177 However, they ultimately chose the name that Wilder proposed, 101, named after both the fact that the final show was the 101st of the tour, and the nearby 101 highway.Gittins 2018 133 The final show We'd like to announce that as a special final concert for our world tour, on Saturday June the 18th, we'll be playing a Concert for the Masses here at the Rose Bowl Pasadena. —Alan Wilder on behalf of Depeche Mode, announcing the show to the press and fans in June 1988. 25em left padding:8px; For the final show, the band had to use a completely different sound system and stage setup than had been used on the rest of the tour. The roof of the stage was too heavy for the existing rigging system, a fact that was not discovered until they tried to raise the roof after attaching all of the lights and speakers. This resulted in the band and management racing to rent a crane on the day of the show, to help lift and hold the roof in place. The band remembered that everything about the soundcheck for the show "felt disjointed and weird", everyone was nervous, and Gahan started to lose his voice at the soundcheck, but fortunately was able to perform that night. Fellow synth-pop bands Pet Shop Boys, Orchestral Manoeuvres in the Dark, Thomas Dolby and WireMiller 2004 388 were opening guests for the show. Depeche Mode's set went on without any major issues, other than the weather. Said songwriter Martin Gore, "we've joked about the cloud of doom that followed us around ... Every time we played anywhere, it rained" and this was no exception, with a rainstorm starting coincidentally during the religiously-themed "Blasphemous Rumours". One of the highlights of the show was the crowd waving in unison with Gahan during their performance of "Never Let Me Down Again", which the band thought looked like a field of wheat waving in the wind. This final show of the tour was the last time the band played their 1984 hit "People Are People" live. People Are People by Depeche Mode Setlist.fm 5 June 2014 https://www.setlist.fm/stats/songs/depeche-mode-73d6b235.html?songid=4bd66782 Although the song was popular and a catalyst for the band's success in the years leading up to the show, the band felt that the song was too commercial and their dislike for the song had grown to the point where they didn't want to perform it in concert anymore.Depeche Mode: 1984 (You Can Get Away With Anything If You Give It a Good Tune) Hallard Ross (director) Lane Phil Michael (director) Mute Records 2006 DVD Gahan said that near the end of the show, he started getting so emotional that he had trouble singing. After the show, Gahan visibly broke down backstage. He later said "I had a strange feeling at that concert, I remember at the end of it, I felt like it was all over. There was nowhere to go now. ... What were we going to do now? It was almost like we had reached our destination." In 2006, nearly 20 years after the concert, Gahan said that, despite all the band's success in the years since, "There hasn't really been another concert like it, for us." A review in the Los Angeles Daily News was mostly positive, saying "it was the music that was most enticing. Though the band's somber disco at times seemed downright narcotic, their elegant Germanic-Mediterranean melodies were more often seductive."Los Angeles Daily News Bruce Britt 20 June 1988 L18 Concert gratifies the masses https://infoweb.newsbank.com/apps/news/document-view?p=AWNB&docref=news/0EF519226B2B13BE&f=basic 12 February 2026 Attendance and ticket and merchandise sales Reports of the total attendance at the show vary, but all agree it was at least 60,000: In the 101 video itself, paid attendance was listed as 60,453,qtoHFIF23NU Depeche Mode – 101 – A Concert for The Masses – USA 88 – live Rose Bowl, Pasadena – 18/06/1988 Gahan and label manager Daniel Miller quoted 70,000 or 80,000 in interviews in later years,Gittins 2018 135 contemporary reviews in Q and Rolling Stone magazines cite figures of 72,000Q (magazine) Mat Snow The Unlikely Lads April 1989 and 75,000,Giles Jeff This Band Wants Your Respect Rolling Stone (magazine) 582/583 12–26 July 1990 60–65 respectively, and the liner notes for the 2006 special edition re-release of Music for the Masses cites the attendance as "almost 80,000".Music for the Masses remastered Depeche Mode Sire Records 2006 R2 77591 CD booklet The paid attendance gross for the show, as reported in the 101 video, was about USD $1,360,000, or roughly $US 1360000 1988 in today's dollars.US The Q review also notes the band sold at least $1,000,000 in t-shirt sales alone at the show. Said Gahan, "things like merchandising are far more important than ticket sales. Merchandise finances tours. ... To tour in America you need to sell T-shirts." Release Video The 101 video was released on 13 March 1989 by Mute Records in the UK and Sire Records in the US.Burmeister Lange 2017 179 In the UK, the release was given catalogue number VVD469.Burmeister Lange 2017 179 The video was released on DVD for the first time in 2003,https://www.discogs.com/release/1731346-Depeche-Mode-101 Depeche Mode 101 (2003) 28 October 2025 and again on blu-ray with additional content and upgraded 4k video in 2021.https://www.nme.com/news/music/depeche-mode-to-release-hd-edition-of-1989-film-depeche-mode-101-featuring-unseen-footage-3058359 Depeche Mode to release HD edition of 1989 film 'Depeche Mode 101' featuring unseen footage Krol Charlotte September 29, 2021 NME December 22, 2021 The video was Rated 'R' due to strong language.The Seattle Times 5 January 1990 A twisty '101' showcases rockers' road Upchurch Michael 16 https://infoweb.newsbank.com/apps/news/document-view?p=AWNB&docref=news/0EB533C7E12E6D35&f=basic 12 February 2026 Live album 101 was released on 13 March 1989 by Mute Records in the UK and Sire Records in the US, and was assigned catalogue number STUMM101 in the UK.Burmeister Lange 2017 179 Upon its release, the live album charted higher than Music for the Masses had in the UK, coming in at number 5.Gittins 2018 143 The release included a booklet with pictures taken by Anton Corbijn of the band, show, fans, and merchandise.Burmeister Lange 2017 179 The album was supported with the single release of "Everything Counts (Live)" on vinyl, released on 13 February 1989.Burmeister Lange 2017 178 A promotional-only 7" of the live version of "Pleasure, Little Treasure" was released by Virgin Records in Spain with catalogue number SA1246.Burmeister Lange 2017 179 Reviews A review in The Seattle Times said "Sometimes the film feels like satiric expose, a la Decline of Western Civilization Part II: The Metal Years. Sometimes it feels like honest homage to a band that sells 60,000 seats and earns a cool million in a single night on the basis of a cache of catchy, sometimes sumptuous, minor-key ditties", adding that "fans may want more music". Legacy Due to the prominence of the "bus kids" in the film, it is widely considered to be the impetus for the "reality" craze that swept MTV in the following years, including The Real World and Road Rules.https://www.independent.co.uk/arts-entertainment/films/features/da-pennebaker-no-spinal-tap-jokes-please-77717.html https://ghostarchive.org/archive/20220501/https://www.independent.co.uk/arts-entertainment/films/features/da-pennebaker-no-spinal-tap-jokes-please-77717.html 1 May 2022 subscription live DA Pennebaker: No Spinal Tap jokes, please... The Independent 9 November 2003 15 February 2017https://www.youtube.com/watch?v=xWaba-OibR4 https://ghostarchive.org/varchive/youtube/20211221/xWaba-OibR4 2021-12-21 live The Story of 101 1989 11 March 2017 YouTubeKrajewski Jill https://www.vice.com/en/article/this-80s-depeche-mode-doc-starring-teen-fans-was-the-first-true-reality-show/ This 80s Depeche Mode Doc Starring Teen Fans Was the First True Reality Show Noisey 30 September 2017 1 October 2017 In various interviews, DVD commentaries and on their own website, both Pennebaker and collaborator Chris Hegedus have cited 101 as "their favourite" and "the one that was the most fun to make" out of all their films to date.https://phfilms.com/films/depeche-mode-101/ Depeche Mode 101 Pennebaker Hegedus Films 26 July 2016 Track listing All tracks are written by Martin L. Gore, except "Just Can't Get Enough", written by Vince Clarke. LP and cassette Side 1 "Pimpf" – 0:58 "Behind the Wheel" – 5:55 "Strangelove" – 4:49 "Something to Do" – 3:54 "Blasphemous Rumours" – 5:09 Side 2 "Stripped" – 6:45 "Somebody" – 4:34 "The Things You Said" – 4:21 "Black Celebration" – 4:54 Side 3 "Shake the Disease" – 5:10 "Pleasure Little Treasure" – 4:38 "People Are People" – 4:59 "A Question of Time" – 4:12 Side 4 "Never Let Me Down Again" – 6:40 "Master and Servant" – 4:30 "Just Can't Get Enough" – 4:01 "Everything Counts" – 6:31 CD Disc 1 "Pimpf" – 0:58 "Behind the Wheel" – 5:55 "Strangelove" – 4:49 "Sacred" – 5:09 "Something to Do" – 3:54 "Blasphemous Rumours" – 5:09 "Stripped" – 6:45 "Somebody" – 4:34 "The Things You Said" – 4:21 Disc 2 "Black Celebration" – 4:54 "Shake the Disease" – 5:10 "Nothing" – 4:36 "Pleasure Little Treasure" – 4:38 "People Are People" – 4:59 "A Question of Time" – 4:12 "Never Let Me Down Again" – 6:40 "A Question of Lust" – 4:07 "Master and Servant" – 4:30 "Just Can't Get Enough" – 4:01 "Everything Counts" – 6:27 SACD Disc 1 "Pimpf" – 0:58 "Behind the Wheel" – 5:55 "Strangelove" – 4:49 "Sacred" – 5:09 "Something to Do" – 3:54 "Blasphemous Rumours" – 5:09 "Stripped" – 6:45 "Somebody" – 4:34 "The Things You Said" – 4:21 Disc 2 "Black Celebration" – 4:54 "Shake the Disease" – 5:10 "Nothing" – 4:36 "Pleasure Little Treasure" – 4:38 "People Are People" – 4:59 "A Question of Time" – 4:12 "Never Let Me Down Again" – 6:40 "A Question of Lust" – 4:07 "Master and Servant" – 4:30 "Just Can't Get Enough" – 4:01 "Everything Counts" – 6:31 "Pimpf" (full version) (multi-channel SACD only) Audio available in three formats: two-channel CD, two-channel SACD, multi-channel SACD VHS "101 – The Movie" – 117:00 DVD Disc one 101 – The Movie (includes optional audio commentary with filmmakers D.A. Pennebaker and Chris Hegedus, and bandmembers Dave Gahan, Martin Gore, and Andy Fletcher) Disc two All songs are isolatedNovember 2018 live video footage, uninterrupted by documentary footage. Songs with a * are exclusive to the DVD and were not in the VHS film. Footage of "Sacred", "Something To Do", and "A Question of Lust" were lost and not able to be recovered for the DVD, though they were eventually found and restored in 4K for the Blu-ray release in 2021. "Master and Servant" "Pimpf" "Behind the Wheel" "Strangelove" "Blasphemous Rumours" "Stripped" "Somebody"* "Black Celebration" "Pleasure, Little Treasure"* "Just Can't Get Enough" "Everything Counts" "Never Let Me Down Again" Extras: Interview Dave Gahan Martin Gore Andrew Fletcher Jonathan Kessler Daniel Miller Christopher Hardwick Oliver Chesler Jay Serken "Everything Counts (live)" (music video) Blu-ray 101 – The Movie 101 – The Movie (4K restoration from original 16mm film elements) Rose Bowl Concert (uninterrupted by documentary footage, also restored in 4K) "Master and Servant" "Pimpf" "Behind the Wheel" "Strangelove" "Blasphemous Rumours" "Stripped" "Somebody"* "Black Celebration" "Pleasure, Little Treasure"* "Just Can't Get Enough" "Everything Counts" "Never Let Me Down Again" Bonus Videos (all restored in 4K) "Everything Counts (live)" (music video) "A Question of Lust" bonus performance "Sacred" bonus performance "Something to Do" bonus performance The limited edition Blu-ray set also includes: The two-disc DVD with its additional extras (the commentary and interviews) 48-page behind-the-scenes story of the day photo book 20" × 30" replica of original US theatrical release film poster 16-page Anton Corbijn Photo Mode book as featured in the original album release Download card to access the HD download of the film and the 24-bit audio files of the 101 concert release Personnel Credits adapted from the liner notes of 101.101 liner notes Depeche Mode Mute Records 1989 CDStumm 101 Randy Ezratty – recording Mark Shane – recording assistance John Harris – recording assistance Billy Yodelman – recording assistance Alan Moulder – engineering Depeche Mode – production Anton Corbijn – cover Paul West – cover Charts Weekly charts + Weekly chart performance for 101 (album) Chart (1989) Peakposition Australian Albums (ARIA)https://i.imgur.com/rYlw97T.jpg Response from ARIA re: chart inquiry, received 17 February 2016 Australian Recording Industry Association 17 February 2016 Imgur 71Austria 13 Depeche Mode 101 - Live true 3 March 2013 Belgian Albums (IFPI)https://worldradiohistory.com/hd2/IDX-UK/Music/Archive-Music-Media-IDX/IDX/80s/89/M&M-1989-04-15-OCR-Page-0011.pdf Top 3 Albums in Europe Music & Media 6 15 15 April 1989 20 29800226 World Radio History 3Canada RPM 16 945 5 August 2018 trueNetherlands 43 Depeche Mode 101 - Live true 3 March 2013 European Albums (Music & Media)https://worldradiohistory.com/hd2/IDX-UK/Music/Archive-Music-Media-IDX/IDX/80s/89/M&M-1989-05-13-OCR-Page-0014.pdf European Top 100 Albums Music & Media 6 19 13 May 1989 25 29800226 World Radio History 6 Finnish Albums (Suomen virallinen lista)Pennanen Timo Sisältää hitin – levyt ja esittäjät Suomen musiikkilistoilla vuodesta 1972 fi 1st Helsinki Kustannusosakeyhtiö Otava 2006 978-951-1-21053-5 14 French Albums (IFOP)https://www.infodisc.fr/Album_Liste_Selection2.php?Lettre=D Le Détail des Albums de chaque Artiste fr InfoDisc 5 August 2018 Select "DEPECHE MODE" from the drop-down menu and click "OK". 4Germany 3 850 Depeche Mode 101 - Live true 5 August 2018 Italian Albums (Musica e dischi)http://www.musicaedischi.it/classifiche_archivio.php Classifiche Musica e dischi it 2 June 2022 Select "Album" in the "Tipo" field, type "Depeche Mode" in the "Artista" field, type "101" in the "Titolo" field and press "cerca". 7 Japanese Albums (Oricon)http://www.oricon.co.jp/prof/artist/111737/ranking/cd_album/ ja:デペッシュ・モードのアルバム売り上げランキング Depeche Mode album sales ranking Oricon ja 2 February 2016 https://web.archive.org/web/20131207072122/http://www.oricon.co.jp/prof/artist/111737/ranking/cd_album/ 7 December 2013 76 Spanish Albums (AFYVE)Salaverrie Fernando September 2005 Sólo éxitos: año a año, 1959–2002 es 1st Madrid Fundación Autor/SGAE 84-8048-639-2 8Sweden 14 Depeche Mode 101 - Live true 3 March 2013Switzerland 11 Depeche Mode 101 - Live true 5 August 2018UK2 5 19890319 true 5 August 2018 UK Independent Albums (MRIB)Lazell Barry Depeche Mode http://www.cherryred.co.uk/books/indiehits/d.htm Indie Hits 1980–1989: The Complete U.K. Independent Charts (Singles & Albums) Cherry Red Books 1997 0-95172-069-4 30 June 2022 https://web.archive.org/web/20090205032823/http://www.cherryred.co.uk/books/indiehits/d.htm 5 February 2009 2Billboard200 45 Depeche Mode true 5 August 2018 + Weekly chart performance for 101 (video) Chart (2003) PeakpositionSwedenMV 7 2003 47 true 5 August 2018UKMV 17 20031116 true 5 August 2018 Year-end charts + Year-end chart performance for 101 (album) Chart (1989) Position Canada Top Albums/CDs (RPM)https://recherche-collection-search.bac-lac.gc.ca/eng/home/record?IdNumber=3858&app=rpm Top 100 Albums of '89 RPM 51 8 23 December 1989 14 0033-7064 Library and Archives Canada 90 European Albums (Music & Media)https://worldradiohistory.com/hd2/IDX-UK/Music/Archive-Music-Media-IDX/IDX/80s/89/M&M-1989-12-23-OCR-Page-0012.pdf European Top 100 Albums – 1989 Music & Media 6 51 23 December 1989 9 29800226 World Radio History 30 German Albums (Offizielle Top 100)https://www.offiziellecharts.de/charts/album-jahr/for-date-1989 Top 100 Album-Jahrescharts – 1989 de GfK Entertainment 5 August 2018 54 + Year-end chart performance for 101 (video) Chart (2003) Position Swedish Music DVD (Sverigetopplistan)https://www.sverigetopplistan.se/chart/107?dspy=2003&dspp=1 Årslista DVD Album, 2003 sv Sverigetopplistan 30 June 2022 64 Certifications Certifications for 101 (album) Canada Depeche Mode 101 Platinum 2 album 1989 1990 1 September 1990 3 March 2013 France Depeche Mode 101 Gold 2 album 1989 1989 infodisc July 21, 2022 Germany Depeche Mode 101 Gold album 1989 1991 Spain Depeche Mode 101 Gold album 1989 1989 Salaverrie Fernando http://www.mediafire.com/file/x263f6daopkswo8/Spanish+certifications+for+1979-1990.pdf Sólo éxitos: año a año, 1959–2002 es 1st Madrid Fundación Autor/SGAE September 2005 925 84-8048-639-2 5 August 2018 United Kingdom Depeche Mode 101 Gold album 1989 2020 46-1745-2 13 March 2020 9 April 2020 United States Depeche Mode 101 Gold album 2 1989 1991 1 February 1991 3 March 2013 true Certifications for 101 (video) France Depeche Mode 101 Platinum video 2004 3 March 2013 Germany Depeche Mode 101 Gold video 2003 2004 3 March 2013 Poland Depeche Mode 101 Platinum video 2003 2005 26 January 2005 5 August 2018 Spain video Depeche Mode 101 Gold 2003 http://www.promusicae.es/files/listassemanales/dvds/historial/TOP%2020%20DVD%2004_44.pdf Lista de DVDs Musicales es Productores de Música de España 3 March 2013 June 2017 InternetArchiveBot yes United States Depeche Mode 101 Platinum video 1990 22 May 1990 3 March 2013 Notes References Works cited Burmeister Dennis Lange Sascha Depeche Mode: Monument New York Akashic Books 2017 978-1-61775-593-4 Gittins Ian Depeche Mode: Faith and Devotion London Palazzo Editions 2018 978-1-78675-064-8 Miller Jonathan Stripped: The True Story of Depeche Mode London Omnibus Press 2004 1-84449-415-2 Further reading https://www.vice.com/en/article/this-80s-depeche-mode-doc-starring-teen-fans-was-the-first-true-reality-show/ This 80s Depeche Mode Doc Starring Teen Fans Was the First True Reality Show Krajewski Jill September 28, 2017 Noisey Vice December 22, 2021 "Wow, a bunch of people that have really cool haircuts, wear eyeliner and wear all black? These are my people. They facilitated that acceptance." External links Album information from the official Depeche Mode website 0094590 101 Category:1989 live albums Category:1989 video albums Category:Depeche Mode live albums Category:Depeche Mode video albums Category:Films directed by D. A. Pennebaker Category:1980s live video albums Category:Mute Records live albums Category:Mute Records video albums Category:Films directed by Chris Hegedus