1977 (Ash album)

December 2020 December 2020 1977 studio Ash Ash1977cover.jpg A mirrored image of a street with rubbish bags and pot holes 6 May 1996 Christmas 1994 Easter 1995 January–March 1996 Loco, Usk Valley, Wales Rockfield, Rockfield, Wales Britpop power pop garage rock pop rock pop-punk 61:52 Infectious, Home Grown Owen Morris Ash Trailer 1994 Nu-Clear Sounds 1998 1977 studio Kung Fu 20 March 1995 Girl from Mars 31 July 1995 Angel Interceptor 9 October 1995 Goldfinger 15 April 1996 Oh Yeah 24 June 1996 1977 is the debut studio album by Northern Irish rock band Ash. It was released on 6 May 1996 by Home Grown and Infectious Records, with whom the band had signed following the release of several demo tapes. Ash released the mini-album Trailer in 1994, and followed it with three singles "Kung Fu", "Girl from Mars", and "Angel Interceptor", all of which would reappear on 1977. Ash recorded their debut album with producer Owen Morris at Rockfield Studios in Wales in early 1996. Described as a Britpop, power pop and garage rock album, 1977 drew comparisons to the Buzzcocks, Dinosaur Jr., and Sonic Youth. Preceded by the album's fourth single "Goldfinger" in April 1996, the band embarked on tours of the United Kingdom and Europe. "Oh Yeah" was released as the fifth single in June 1996, followed by tours of the United States, Japan, Australia, and New Zealand. Ash ended the year with another US tour, as well as a US support slot for Weezer. They toured Europe and the UK, before their appearance at Glastonbury Festival. 1977 received generally positive reviews from music critics, who praised the album's "catchy" nature. The album peaked at number one in the UK, as well as reaching the top 40 in Australia, Finland, New Zealand, Norway, and Switzerland. "Kung Fu", "Girl from Mars", "Angel Interceptor", "Goldfinger", and "Oh Yeah" all charted on the UK Singles Chart, with "Goldfinger" reaching the highest position at number five. 1977 appeared on several UK publications' best-of-the-year album lists, by the likes of Kerrang!, NME, and Melody Maker, among others. The album would later be certified platinum in the UK. Background In December 1989, schoolfriends Tim Wheeler and Mark Hamilton received instruments for Christmas, and decided to form a metal act they called Vietnam.https://www.allmusic.com/artist/ash-mn0000615304/biography Ash Biography & History AllMusic Wilson, MacKenzie 9 November 2020 11 November 2020 https://web.archive.org/web/20201111130142/https://www.allmusic.com/artist/ash-mn0000615304/biography livehttp://www.nme.com/artists/biography/4111.htm https://web.archive.org/web/20020612023310/http://www.nme.com/artists/biography/4111.htm Ash (1) NME 12 June 2002 14 November 2020 The rest of the line-up consisted of vocalist Gareth Hutchinson, guitarist Malcolm King, and drummer Andy McLean, who would all leave by early 1992 citing a lack of interest in the band.Bowler; Dray 1997, pp. 16, 18 After seeing a show by a local act, Lazer Gun Nun, Wheeler and Hamilton decided to move their sound away from metal and into Nirvana-leaning territory.Bowler; Dray 1997, p. 21 Around this time, Wheeler was discovering the likes of ABBA and Paul McCartney and Wings.Bowler; Dray 1997, p. 22 Vietnam ultimately disbanded, and Wheeler and Hamilton decided to form a punk band. Wheeler handled vocals and guitar, Hamilton the bass. They spent two weeks amassing original material in Wheeler's bedroom.Bowler; Dray 1997, p. 24 Drummer Rick McMurray joined the pair in June 1992; Wheeler had approached him during a school play, and invited him to his house for a jam session. With the line-up finalised, they christened themselves Ash after spotting the word in a dictionary.Bowler; Dray 1997, p. 25 Over the course of a year, the band recorded four demos tapes: Solar Happy in June 1992, Shed in September, Home Demo in November, and Garage Girl in February 1993.Citations regarding demo tapes: Solar Happy Ash 1992 sleeve Self-released Shed Ash 1992 sleeve Self-released Home Demo Ash 1992 sleeve Self-released Garage Girl Ash 1993 sleeve Self-released A friend of the band had sent one of the demos to Paddy Davis of the public relations company, Bad Moon. He played it for four months, before passing it to Steve Tavener, who had plans to start a record label. Tavener and Davis subsequently went to Belfast to watch the band perform. Ash released their debut single, "Jack Names the Planets", through Tavener's La La Land Records in February 1994, by which point he had become their manager. In April 1994, the band travelled to London to promote it. Several major labels approached them, before they signed with Infectious Records with an advance of £12,000 and a 50–50 share of the profits with the label.Porter 1997, pp. 21–2 Ash set up the imprint Home Grown as part of Infectious with which they would put out their future releases. As Hamilton and Wheeler were 17 years old, their parents had to sign the contract on their behalf, as well as permission from their school headmaster Jack Ferris.Porter 1997, p. 22 Two more singles, "Petrol" and "Uncle Pat", preceded the release of the band's mini-album Trailer in October 1994.http://www.ash-official.com/disc.html https://web.archive.org/web/20000303093432/http://www.ash-official.com/disc.html Ash Discography Ash 3 March 2000 14 November 2020 live During this period, two-thirds of the band were focusing on their A-Levels, touring with Babes in Toyland and Elastica during their half-term holidays. In February 1995, Wheeler and McMurray flew to the United States to meet with potential labels, including Reprise and Interscope Records.http://www.ash-official.com/article/kung-fu-20th-anniversary/ https://web.archive.org/web/20160627143258/http://www.ash-official.com/article/kung-fu-20th-anniversary/ Kun Fu 20th Anniversary Ash 16 March 2015 27 June 2016 20 November 2020Bowler; Dray 1997, p. 84 They signed to the former, who was experiencing success with the stylistically similar Green Day. Recording and production In preparation for their debut album, the band met with a few producers, such as Phil Vinall, who had produced the Auteurs, while Wheeler wanted Marc Waterman to produce it, having known him for his work on Nowhere (1990) by Ride.McDermott 2022, event occurs at 23:16–25; 23:34–9 Producer Owen Morris was working on A Northern Soul (1995) with the Verve at the end of 1994; Ash's manager and Infectious founder Korda Marshall suggested they record a few songs with him.McLoone 2022, event occurs at 22:45–23:00, 23:25–33McDermott 2022, event occurs at 23:29–34 Wheeler said they wanted a "cool, young" producer and selected him upon learning that Morris was influenced by acts they liked, such as David Bowie, T. Rex and Thin Lizzy. The band opted to record one song with him to see how their working relationship would unfold.Ask Ash Interview CD ROM Ash 1996 booklet Infectious Records INFECT ASK 1 They recorded "Kung Fu" and an unfinished version of "Angel Interceptor" over Christmas 1994 at Loco Studios in Usk Valley, Wales.McDermott 2022, event occurs at 24:39–58; 26:55–27:00 "Girl from Mars" was recorded in Easter 1995 at Rockfield Studios in Rockfield, Monmouthshire, Wales.McDermott 2022, event occurs at 29:01–6 Ash had to record some B-sides with Phil Thornalley in London, but as they were not working effectively, Thornalley walked out and Morris, who happened to be in the city, was drafted in; they then finished working on "Angel Interceptor".McDermott 2022, event occurs at 29:48–30:01; 30:06–8 The band worked on pre-production with Morris in December 1995, with him visiting the band at their rehearsal space, running through all of the song ideas they had.http://www.dotmusic.com/artists/Ash/interviews/March1996/interviews11466.asp https://web.archive.org/web/20040102222354/http://www.dotmusic.com/artists/Ash/interviews/March1996/interviews11466.asp Ash - Mature Beyond Their Years Dotmusic 18 March 1996 2 January 2004 16 November 2020 liveMcLoone 2022, event occurs at 25:54–26:06 After playing him everything they thought was worthwhile, including portions of "Lose Control" and "Oh Yeah", he inquired if they had anything else, they showed him "Goldfinger".McLoone 2022, event occurs at 26:08–11McDermott 2022, event occurs at 34:12–7; 34:25–9 Wheeler considered it a B-side, until Morris exclaimed, "you idiot, that's a single!".McLoone 2022, event occurs at 26:13–9 The band and Morris began recording their debut album on New Year's Day 1996, commencing with "Goldfinger".https://twitter.com/ashofficial/status/1250515157853376513 https://web.archive.org/web/20201117090135/https://twitter.com/ashofficial/status/1250515157853376513 Ash on Twitter: 'Goldfinger. The first song we recorded on the main album...' Twitter Ash 15 April 2020 17 November 2020 17 November 2020 livehttps://twitter.com/ashofficial/status/1250515796419371008 https://web.archive.org/web/20201117090239/https://twitter.com/ashofficial/status/1250515796419371008 Ash on Twitter: 'We'd done quite a bit of work on Goldfinger during...' Twitter Ash 15 April 2020 17 November 2020 17 November 2020 live The rest of the material that would appear on the album was recorded at Rockfield Studios at a cost of £800 per day, with Morris and the band co-producing the album.McDermott 2022, event occurs at 34:56–9 Though the process was planned to take only six weeks, it ended up lasting three months.https://www.vice.com/en/article/teen-sweat-and-puke-drugs-and-dressing-in-drag-how-ash-wrote-their-debut-lp-1977/ Teen Sweat and Puke, Drugs and Dressing in Drag: How Ash Wrote Their Debut LP 1977 Vice Media Lindsay, Cam 20 September 2016 16 November 2020 17 November 2020 https://web.archive.org/web/20201117113850/https://www.vice.com/en/article/exvnyz/teen-sweat-and-puke-drugs-and-dressing-in-drag-how-ash-wrote-their-debut-lp-1977 livehttp://www.ash-official.com/biog.php https://web.archive.org/web/20040401164049/http://www.ash-official.com/biog.php Meltdown Ash 1 April 2004 16 November 2020 live Because they had toured incessantly since leaving school, the band did not have enough time to accumulate material for an album. Wheeler wrote nearly half of what would end up on the finished album in the studio. As Rockfield was a residential studio, according to Wheeler, the members became "very nocturnal and very crazy". He attributed this to Morris "gradually introducing us to drugs, so we were off our heads a lot of the time".Johnston Emma Treasure Chest. The Intimate Portrait of a Life in Rock. Tim Wheeler Kerrang! 1235 8 November 2008 54 Nick Brine, Sorrel Merchant and Neil Kiely acted as studio assistants. Morris later mixed the recordings at Orinoco in London, except for "Girl from Mars" (Thornalley) and "Angel Interceptor" (Mark "Spike" Stent). Thornalley mixed "Girl on Mars" as the band's label and manager felt the track was incomplete, much to the annoyance of Morris.https://www.theguardian.com/music/2020/mar/09/how-we-made-ash-on-girl-from-mars Ash: how we made Girl from Mars The Guardian Simpson, Dave 9 March 2020 16 November 2020 30 October 2020 https://web.archive.org/web/20201030143331/https://www.theguardian.com/music/2020/mar/09/how-we-made-ash-on-girl-from-mars liveMcDermott 2022, event occurs at 29:16–29 Composition and lyrics vertical The sound of 1977 has drawn comparisons to the work of Buzzcocks (top) and Sonic Youth (bottom). Buzzcocks (52229216589).jpg Three men performing instruments and singing into microphones 250 ScanImage05.png Four people performing 250 Music and themes Musically, the sound of 1977 has been described as Britpop,Perpetua Matthew 9 January 2014 The Official Britpop Album Ranking, 1993-1997 https://www.buzzfeed.com/perpetua/the-official-britpop-album-ranking-1993-1997 24 June 2022 BuzzFeed power pop,Nixon 2003, 42Walker Gary https://guitar.com/review/album/the-genius-of-1977-by-ash/ https://web.archive.org/web/20210526154827/https://guitar.com/review/album/the-genius-of-1977-by-ash/ The Genius Of… 1977 by Ash Guitar 26 May 2021 26 May 2021 20 June 2022 garage rock,https://www.theguardian.com/music/2008/sep/09/popandrock1 Ash Caroline Sullivan 8 September 2008 The Guardian 26 May 2016 8 August 2016 https://web.archive.org/web/20160808120903/https://www.theguardian.com/music/2008/sep/09/popandrock1 live pop-punk,Dimery, Robert Lydon, Michael 1001 Albums You Must Hear Before You Die: Revised and Updated Edition 2010 Universe 978-0-7893-2074-2https://www.allmusic.com/album/1977-mw0000184280 1977 - Ash Songs, Reviews, Credits AllMusic 21 January 2017 Erlewine Stephen Thomas Stephen Thomas Erlewine 15 November 2020 https://web.archive.org/web/20201115153853/https://www.allmusic.com/album/1977-mw0000184280 live and pop rock, with elements of glam rock and grunge, drawing comparisons to the work of Buzzcocks and Sonic Youth, as well as the albums Bug (1988) by Dinosaur Jr., and Bandwagonesque (1991) by Teenage Fanclub. In a 2020 interview, Wheeler thought that the Britpop tag "felt a bit weird", as he explained that they were influenced more by American music than British music.https://www.xsnoize.com/interview-tim-wheeler-on-teenage-wildlife-25-years-of-ash/ https://web.archive.org/web/20211016032908/https://www.xsnoize.com/interview-tim-wheeler-on-teenage-wildlife-25-years-of-ash/ Interview: Tim Wheeler on Teenage Wildlife: 25 Years Of Ash Xs Noize Millar, Mark 3 February 2020 16 October 2021 2 October 2022 He attributed the range of styles to the band's American label, Reprise Records, having sent him several CDs from their back catalogue. They had spent two months coming up with random titles: Ash – The Album, Child Abuse, A Tribute to Apache Indian, Owen's Angels, Tim, Mark and the Other and Corporate Record Company Bullshit Wank. When Morris eventually asked what it was going to be called, the band replied 1977. 1977 refers to the release year of Star Wars (1977) and the year Wheeler and Hamilton were born. Though some commenters said it alluded to the year punk rock and Sex Pistols achieved mainstream popularity, author Charlie Porter in his biography on the band Ash: 77–97 (1997) dismissed this.Porter 1997, pp. 43–44 He said the genre's "vigour was extinguished by bitterness and internal cat-fights", de-evolving into a brand, "[s]o punk is not the reason this CD [...] is called 1977". He considered the name as "rather a blank name, a title that sounds sassy, but which means nothing. It leaves the music to be judge on its own merit".Porter 1997, p. 44 Wheeler is credited with writing all of the album's tracks, except for "Lose Control" (which he co-wrote with Hamilton), "Innocent Smile" (written by Hamilton) and "Angel Interceptor" (co-written with McMurray). Wheeler estimated that Hamilton had written half of "Lose Control", while McMurray had helped him with the lyrics to "Angel Interceptor". When working on material, Wheeler wrote the music first, taking inspiration from other peoples' songs he heard. Nick Ingman, Morris and Wheeler came up with string arrangements, which were done with a 30-piece orchestra; Ingman had worked on "History" (1995) from A Northern Soul and "Unfinished Sympathy" (1991) by Massive Attack.McLoone 2022, event occurs at 34:23–32, 34:52–4 Wheeler referred to some of his lyrics as "a little too sickly sweet", explaining that he took inspiration from the work of the Beach Boys and Phil Spector-produced tracks.https://www.hotpress.com/music/on-this-day-in-1996-ash-released-their-debut-studio-album-1977-22904658 On this day in 1996: Ash released their debut studio album 1977 Hot Press 6 May 2022 6 May 2022 6 May 2022 https://web.archive.org/web/20220506210537/https://www.hotpress.com/music/on-this-day-in-1996-ash-released-their-debut-studio-album-1977-22904658 live The album features a sample of a TIE fighter from Star Wars; Wheeler was unsure if the band got permission for it, but theorised the label was fine with it as they were owned by 20th Century Fox which had made Star Wars. A science fiction theme can be heard throughout the album, which Wheeler attributed to his sister having a David Bowie poster with the phrase "Life on Mars" written across it, coupled with Trompe le Monde (1991) by Pixies.McLoone 2022, event occurs at 32:53–33:18 Songs The opening track "Lose Control" is a punk rock song that utilises a quiet-and-loud dynamic, recalling the work of Therapy? with its guitar solo. Wheeler's guitar riff consists of tremolo-enhanced octave picking in an ascending order, while the solo is affected by a wah-wah pedal and includes multiple bends. The song's protagonist pleads for a girl to cheat on her boyfriend. "Goldfinger" channels the sound of Teenage Fanclub. When they began writing it, the band borrowed an instrumental break section from what they believed was "Goldfinger" (1964) sung by Shirley Bassey, but turned out to be a song by John Barrie.https://twitter.com/ashofficial/status/1250515889688055809 https://archive.today/20201117090401/https://twitter.com/ashofficial/status/1250515889688055809 Ash on Twitter: 'Turned out to be a different John Barrie song...' Twitter Ash 15 April 2020 17 November 2020 17 November 2020 live Subsequent sections of the song were written around the world while touring to support Trailer.https://twitter.com/ashofficial/status/1250515616563441672 https://web.archive.org/web/20201117090238/https://twitter.com/ashofficial/status/1250515616563441672 Ash on Twitter: 'It was a pretty stressful time which was...' Twitter Ash 15 April 2020 17 November 2020 17 November 2020 live Wheeler said they kept the name "Goldfinger" as "it has a lot of mystery", while the lyrics detail a man wanting to buy drugs.Kay George Wheeler's on Fire Rip It Up October 1996 10 0114-0876Porter 1997, p. 39 The opening ten bars of "Girl from Mars" are played acoustically, before erupting into a wall of guitars, reminiscent of Dinosaur Jr. member J Mascis.http://www.mtv.com/news/502952/ash-use-the-force-against-the-evil-lo-fi/ Ash Use the Force Against the Evil Lo-Fi MTV Ward, Ed 4 November 1998 16 November 2020 16 November 2020 https://web.archive.org/web/20201116041105/http://www.mtv.com/news/502952/ash-use-the-force-against-the-evil-lo-fi/ dead A family holiday in France, where Wheeler smoked and drank with some people on a beach, influenced the track's chorus section.https://www.loudersound.com/features/the-story-behind-the-song-girl-from-mars-by-ash-1 The Story Behind The Song: Girl From Mars by Ash Louder Yates, Henry 30 October 2016 16 November 2020 17 November 2020 https://web.archive.org/web/20201117113825/https://www.loudersound.com/features/the-story-behind-the-song-girl-from-mars-by-ash-1 live The song was written around the time of Trailer but not included on it as their manager and label thought it would not be good for the band to have a hit single while still attending school.https://www.vice.com/en/article/rank-your-records-ash/ Rank Your Records: Tim Wheeler Ranks Ash's Eight Albums Vice Lindsay, Cam 22 May 2015 16 November 2020 8 November 2020 https://web.archive.org/web/20201108165354/https://www.vice.com/en/article/6x8yvj/rank-your-records-ash live "I'd Give You Anything" is a harder, Stooges-esque track, which cribs from "N.I.B." (1970) by Black Sabbath. Author Dave Thompson wrote in his book Alternative Rock (2000) that this was a throwback to Hamilton and Wheeler's time as Vietnam.Thompson 2000, p. 161 It was the last track Wheeler had written while living at his parents' home. Initially uptempo, Morris suggested the band slow it down.https://twitter.com/ashofficial/status/1250517308730212352 https://web.archive.org/web/20201117092431/https://twitter.com/ashofficial/status/1250517308730212352 Ash on Twitter: 'I'd Give You Anything. I remember this song being...' Twitter Ash 15 April 2020 17 November 2020 17 November 2020 livehttps://twitter.com/ashofficial/status/1250517698813009921 https://web.archive.org/web/20201117092449/https://twitter.com/ashofficial/status/1250517698813009921 Ash on Twitter: 'Massive Stooges influence on this one obviously!...' Twitter Ash 15 April 2020 17 November 2020 17 November 2020 live Porter said the confident vocals and breezy guitarwork earned it a comparison to the sound of Oasis. Ash made two versions of "Gone the Dream": The final version ended up as an indie rock song that featured a string section and reminiscent of the Boo Radleys, while the other version was a Beatles-esque track made at Morris' insistence.Citations for "Gone the Dream": http://drownedinsound.com/releases/4742/reviews/898- Album Review: Ash – 1977 Drowned in Sound 21 April 2001 20 April 2020 Albert Joss 28 August 2020 https://web.archive.org/web/20200828172049/https://drownedinsound.com/releases/4742/reviews/898- live http://www.mtv.com/mtv/music/reviews/archive/blather/ash_1977.html https://web.archive.org/web/19971015150940/http://www.mtv.com/mtv/music/reviews/archive/blather/ash_1977.html Ash 1977 MTV Krugman, Michael 15 October 1997 14 November 2020 https://www.nme.com:80/reviews/reviews/19980101001083reviews.html Ash 1977 NME 4 May 1996 14 July 2017 Cigarettes Johnny https://web.archive.org/web/20000817225504/http://www.nme.com/reviews/reviews/19980101001083reviews.html 17 August 2000 dead https://twitter.com/ashofficial/status/1250518459387203584 https://web.archive.org/web/20201117092449/https://twitter.com/ashofficial/status/1250518459387203584 Ash on Twitter: 'Gone The Dream. There were a couple of versions of this...' Twitter Ash 15 April 2020 17 November 2020 17 November 2020 live "Kung Fu" is a tribute to Jackie Chan in the vein of the Ramones. Wheeler wrote it at home in three minutes before leaving to record with Morris in late 1994.https://twitter.com/ashofficial/status/1250519298847752195 https://web.archive.org/web/20201117092602/https://twitter.com/ashofficial/status/1250519298847752195 Ash on Twitter: 'Kung Fu. The song that was almost a B-side! This was...' Twitter Ash 15 April 2020 17 November 2020 17 November 2020 liveMcLoone 2022, event occurs at 37:53–6 Wheeler claimed that he binge-listened to the Ramones over the Christmas period, while discovering the words "kung fu", "Hong Kong", and "fu manchu", and watching a series of movies featuring Chan.Bowler; Dray 1997, p. 90McLoone 2022, event occurs at 38:06–10 "Oh Yeah" is a nostalgic track about teenage romance, and features extra vocals by Lisa Moorish. Wheeler wrote it when he was 18 about his first romance at 15, when he experienced those emotions for the first time.https://www.belfasttelegraph.co.uk/entertainment/music/news/ashs-tim-wheeler-on-being-called-a-legend-the-anguish-of-watching-his-fathers-battle-with-alzheimers-and-why-hed-like-to-be-a-dad-himself-one-day-35240352.html https://web.archive.org/web/20161125122822/https://www.belfasttelegraph.co.uk/entertainment/music/news/ashs-tim-wheeler-on-being-called-a-legend-the-anguish-of-watching-his-fathers-battle-with-alzheimers-and-why-hed-like-to-be-a-dad-himself-one-day-35240352.html Ash's Tim Wheeler on being called a legend, the anguish of watching his father's battle with Alzheimer's and why he'd like to be a dad himself one day Belfast Telegraph 24 November 2016 25 November 2016 21 November 2020 "Let It Flow" was written in the studio, and originally featured an intro before the chorus section, which was later dropped.https://twitter.com/ashofficial/status/1250521223961939971 https://archive.today/20201117094415/https://twitter.com/ashofficial/status/1250521223961939971 Ash on Twitter: 'Let It Flow. Did I mention that we were still writing...' Twitter Ash 15 April 2020 17 November 2020 17 November 2020 livehttps://twitter.com/ashofficial/status/1250521239220781058 https://archive.today/20201117094354/https://twitter.com/ashofficial/status/1250521239220781058 Ash on Twitter: 'Clicking out a whole chorus intro on guitar that...' Twitter Ash 15 April 2020 17 November 2020 17 November 2020 live The song's original lyrics were scrapped, and re-written by Wheeler while the rest of the band were at a pub.https://twitter.com/ashofficial/status/1250521718189445120 https://archive.today/20201117094358/https://twitter.com/ashofficial/status/1250521718189445120 Ash on Twitter: 'The original lyrics to this were ditched and Tim...' Twitter Ash 15 April 2020 17 November 2020 17 November 2020 live Wheeler attributed its sound to the work of Teenage Fanclub and the Lemonheads.McLoone 2022, event occurs at 46:41–51 The lyrics describe how love can affect a person to the point they are unable to see their partner's influence over them.Porter 1997, pp. 45–6 Kayley Kravitz of Vanyaland said "Innocent Smile" was the "bratty younger sibling" of "Goldfinger" as "an atmospheric, lo-fi epic (by Ash standards) about criminal teenage kicks".https://vanyaland.com/2014/03/05/honor-ash-wednesday-northern-ireland-bands-5-underrated-songs/ https://archive.today/20230814210301/https://vanyaland.com/2014/03/05/honor-ash-wednesday-northern-ireland-bands-5-underrated-songs/ In honor of Ash Wednesday, here are five of the Northern Ireland band's most underrated songs Vanyaland Kravitz, Kayley 5 March 2014 14 August 2023 14 August 2023 it is indebted to Daydream Nation (1988)-era Sonic Youth with its slow build-up. "Angel Interceptor" is a mix of punk rock and doo-wop. Wheeler said he was "notoriously bad at finishing lyrics", which prompted Morris to tell him and McMurray to leave the studio to finish writing it.McLoone 2022, event occurs at 55:02–9 It discusses sex and sees Wheeler pondering as to when he will see his girlfriend again, despite seeing her a day prior.Porter 1997, p. 35 The title is an alludes to the jet girl characters from the Captain Scarlet and the Mysterons TV series, while the chorus references astronaut Yuri Gagarin and the Apollo space missions.Porter 1997, pp. 35–6 Wheeler considered it a pseudo-sequel to "Girl from Mars".McLoone 2022, event occurs at 55:24–39 At the end of the recording, McMurray can be heard yelling "Whooo! Yeah, we've got it!", while he was on his first ecstasy trip. "Lost in You" was by influenced by the Beach Boys, and written at the end of the recording process. Wheeler explained the band was stressed from pushing themselves, which he said came across in the song's performance.Porter 1997, p. 42 He wrote "Darkside Lightside" from the perspective of someone who had sex with another person's girlfriend; it opened with Iron Maiden-like riffs, and ended with guitar work reminiscent of Pink Floyd.Bowler; Dray 1997, pp. 118–9 11 1 2 minutes after "Darkside Lightside" endsOther 1996, p. 39 the hidden track "Sick Party" plays, consisting of Hamilton and guitar tech Leif Bodnarchuk vomiting. It was planned initially to be part of the outtake "The Scream", which according to Wheeler was "built up [from] 48 tracks that started out like a murmur up to full on screaming". When it came time to mix the song, they were "too scared". Because the band felt "Sick Party" "turned out to be so funny", it became a standalone track. Release "Kung Fu" was released as the lead single from 1977 on 20 March 1995, with "Day of the Triffids" and "Luther Ingo's Star Cruiser" as the B-sides. While Wheeler was studying the last six months of his A-Levels, he would be interrupted by having to do multiple interviews.McDermott 2022, event occurs at 32:23–9 "Girl from Mars" was released as the album's second single on 31 July 1995, with "Astral Conversations with Toulouse Lautrec" and a cover of "Cantina Band" by John Williams as the B-sides. The music video for "Girl from Mars", which was directed Peter Christopherson of Throbbing Gristle, was shot on the beach at Camber Sands following the band's debut tour in mainland Europe.https://twitter.com/ashofficial/status/1581286375424348160 https://web.archive.org/web/20221016173605/https://twitter.com/ashofficial/status/1581286375424348160 Ash on Twitter: 'We loved the video shoot to this; painted up on the beach...' Twitter Ash 15 October 2022 16 October 2022 16 October 2022 live The band promoted the song with an appearance on Top of the Pops.McDermott 2022, event occurs at 35:19–21 Around this, the band had finished school, which then allowed them to tour more and do promotional events, gigging until the end of the year.McDermott 2022, event occurs at 30:22–40; 31:03–6 "Angel Interceptor" followed as the third single on 9 October 1995, with "5 a.m. Eternal" and a cover of "Gimme Some Truth" (1971) by John Lennon as the B-sides. The following month, the band went on a short US tour with China Drum.http://www.westnet.com/consumable/1995/10.15/tour.html https://web.archive.org/web/20020819232031/http://www.westnet.com/consumable/1995/10.15/tour.html Tour Dates Consumable Online 15 October 1995 19 August 2002 24 September 2022http://www.westnet.com/consumable/1995/11.03/tour.html https://web.archive.org/web/20010531235913/http://www.westnet.com/consumable/1995/11.03/tour.html Tour Dates Consumable Online 3 November 1995 31 May 2001 24 September 2022http://www.westnet.com/consumable/1995/11.03/tour.html https://web.archive.org/web/20010622163027/http://www.westnet.com/consumable/1995/11.13/tour.html Tour Dates Consumable Online 13 November 1995 22 June 2001 24 September 2022 Coinciding with this, "Kung Fu" was released as a single to modern rock radio stations in the US.Ross ed. 1995, p. 1 "Goldfinger" was released as the fourth single from 1977 on 15 April 1996, with "I Need Somebody", "Sneaker", and a cover of the Smokey Robinson track "Get Ready" as the B-sides. "Goldfinger" was sent to US modern rock radio stations the following month.Ross ed. 1996a, p. 1 Ash went on a United Kingdom tour with 60ft Dolls, Bis, and Jocasta.http://www.ash-official.com/tour_96.html https://web.archive.org/web/19981206062713/http://www.ash-official.com/tour_96.html Ash Gigography and Tour Dates (1996) Ash 6 December 1998 16 November 2020 Infectious and Home Grown released 1977 in the UK on 6 May, while the US release by Reprise appeared on 11 June 1996. The first 50,000 copies of the UK version included "Jack Names the Planets" and "Don't Know" as hidden tracks. Morris, who had taken an interest in various bands' artwork, suggested Ash collaborate with Brian Cannon of design company Microdot.McDermott 2022, event occurs at 48:11–33 Ed van der Elsken took the photograph that would appear on the front cover of 1977; Cannon said clearing the rights for the image nearly delayed the album's release as he had died, and the band were unable to contact his widow.https://twitter.com/MicrodotCreativ/status/1250518345889218562 https://web.archive.org/web/20201117092450/https://twitter.com/MicrodotCreativ/status/1250518345889218562 Brian Cannon / Mictrodot on Twitter: 'The sleeve image almost delayed the release of the record...' Twitter Cannon, Brian 15 April 2020 17 November 2020 17 November 2020 live The cassette edition was sold by the label at 1977 prices, £4.99.McDermott 2022, event occurs at 40:51–7 Following the album's release, Ash embarked on a European tour, and appeared on Later... with Jools Holland. "Oh Yeah" was released as the album's fifth single on 24 June 1996, with "T. Rex", "Everywhere Is All Around", and the ABBA cover "Does Your Mother Know" as the B-sides. The "Oh Yeah" music video sees Hamilton making out with an actress, interspersed with footage of the band performing at a carnival.http://www.ash-official.com/video.html https://web.archive.org/web/19990209001908/http://www.ash-official.com/video.html Ash Video Clips Ash 9 February 1999 16 November 2020 In July and August 1996, the band toured the US with Muzzle,Ross ed. 1996b, p. 17 and performed at the Reading Festival in the UK. Around this time, their label discussed releasing "Lost in You" as a single; however, the band felt they had released enough tracks from it by this point.https://twitter.com/ashofficial/status/1250525612030263296 https://archive.today/20201117095847/https://twitter.com/ashofficial/status/1250525612030263296 Ash on Twitter: 'There were conversations with the record company during...' Twitter Ash 15 April 2020 17 November 2020 17 November 2020 live In September and October 1996, Ash toured Japan, Australia, and New Zealand, before returning to the US with Stabbing Westward, I Mother Earth and Drill in October and November.http://www.westnet.com/consumable/1996/10.25/tours.html https://web.archive.org/web/20010711034047/http://www.westnet.com/consumable/1996/10.25/tours.html Tour Dates Consumable Online 25 October 1996 11 July 2001 25 September 2022 During the US leg of the tour, Ash met with the head programmer at MTV, to discuss getting coverage on the channel, however, Wheeler turned up late and drunk. The following day, the band had an interview on the channel; Wheeler arrived late again and vomited during it. The band's label was angry with them, and Wheeler later theorised that these incidents cost the band any major success in the US.https://www.gigwise.com/features/3254009/ash-interview-tim-wheeler-islands-new-album https://web.archive.org/web/20180522192053/https://www.gigwise.com/features/3254009/ash-interview-tim-wheeler-islands-new-album No Band Is An Island: Inside Ash's Incredible Voyage Gigwise Kline, Steven 21 May 2018 22 May 2018 22 November 2020 One show of this leg, namely in Boulder, Colorado, had low ticket sales; as an incentive, Ash opted to perform 1977 in its entirety.Roy David 11 November 2016 Ash's Tim Wheeler on 20 years of 1977 and becoming a Legend http://www.irishnews.com/arts/2016/11/11/news/twenty-s-plenty-ash-s-tim-wheeler-on-20-years-of-1977-becoming-a-legend-775499/ https://web.archive.org/web/20161114184755/http://www.irishnews.com/arts/2016/11/11/news/twenty-s-plenty-ash-s-tim-wheeler-on-20-years-of-1977-becoming-a-legend-775499/ 14 November 2016 17 July 2021 The Irish News They then supported Weezer on their US headlining tour through to December, before returning to Ireland for a one-off show to close the year. Ash released their first live album, Live at the Wireless, in February 1997. Recorded in Australia, it was sold in the UK and mainland Europe. Some European copies of 1977 were then packaged with Live at the Wireless as a second disc in collaboration between Home Grown, Infectious, Death Star, and Facedown Records.1977 Ash 1997 booklet Home Grown/Infectious/Death Star/Facedown Records 0089552FAC/DEATH 13 In the same month, the band embarked on a European tour with 60 ft Dolls and Seesaw, leading up to five consecutive shows at the London Astoria.http://www.ash-official.com/tour_97.html https://web.archive.org/web/19981206152101/http://www.ash-official.com/tour_97.html Ash Gigography and Tour Dates (1997) Ash 6 December 1998 16 November 2020 Fan club members attending the Astoria shows were given a free 7" vinyl, which consisted of "I Only Want to Be with You", "Devil's Haircut", and a live version of "Kung Fu". In June 1997, the band played a handful of UK shows with Silver Sun, before appearing at Glastonbury Festival. Reissues and related releases "Goldfinger", "Girl from Mars", "Kung Fu", "Oh Yeah" and "Angel Interceptor" were included on the band's three compilation albums, Intergalactic Sonic 7″s (2003), The Best of Ash (2011), and Teenage Wildlife: 25 Years of Ash (2020), and released on 7" vinyl as part of 94–'04 The 7" Singles Box Set (2014).Citations regarding compilations and box sets: Intergalactic Sonic 7"s Ash 2003 booklet Infectious Records INFEC120CDB The Best of Ash Ash 2011 booklet Warner Bros. Records 2564664365 '94–'04 The 7" Singles Box Set Ash 2019 sleeve BMG BMGCAT391BOX Teenage Wildlife: 25 Years of Ash Ash 2020 booklet BMG BMGCAT425DCD In 2008, a three-disc deluxe edition of 1977 was released, featuring Trailer, Live at the Wireless, B-sides, unreleased demos and live recordings. BMG bought the band's back catalogue and reissued the album on CD in 2018 and vinyl in 2022; for the latter, Wheeler was sent various mixes and had to point out the correct versions to the label.http://www.irish-charts.com/showitem.asp?interpret=Ash&titel=1977&cat=a irishcharts.com - Ash - 1977 Hung Medien 16 November 2020 15 November 2020 https://web.archive.org/web/20201115154322/http://www.irish-charts.com/showitem.asp?interpret=Ash&titel=1977&cat=a deadMcDermott 2022, event occurs at 51:33–6; 51:46–52:11 The band have played the album in its entirety on several tours throughout 2008, 2013 and 2016, as well as a one-off livestream in 2021.https://themusic.com.au/news/ash-announce-australian-tour-dates/ouu1tLe2ubg/20-06-13/ https://archive.today/20201119164202/https://themusic.com.au/news/ash-announce-australian-tour-dates/ouu1tLe2ubg/20-06-13/ Ash To Tour Australia Playing 1977 In Full The Music 20 June 2013 19 November 2020 19 November 2020 livehttps://www.deadpress.co.uk/interview-ash-21112016/ Interview: Ash (21/11/2016) Dead Press! Heath, Michael 28 November 2016 16 November 2020 19 October 2020 https://web.archive.org/web/20201019163019/https://www.deadpress.co.uk/interview-ash-21112016/ livehttps://www.hotpress.com/music/ash-to-livestream-performance-of-their-classic-album-1977-next-week-22854384 Ash to livestream a performance of their classic album 1977 next week Hot Press O'Neill, Peter 27 May 2021 6 May 2022 27 May 2021 https://web.archive.org/web/20210527154130/https://www.hotpress.com/music/ash-to-livestream-performance-of-their-classic-album-1977-next-week-22854384 live Recordings from the Astoria shows were later compiled, and released as the live album Live on Mars – London Astoria 1997 (2016).Live on Mars – London Astoria 1997 Ash 2016 booklet Atomic Heart Records ATOM063CD Critical reception Original release AllMusic 4.5 5https://www.allmusic.com/album/1977-mw0000184280 1977 - Ash Songs, Reviews, Credits AllMusic 21 January 2017 Erlewine Stephen Thomas Stephen Thomas Erlewine 15 November 2020 https://web.archive.org/web/20201115153853/https://www.allmusic.com/album/1977-mw0000184280 live Alternative Press 3/5Ash: 1977 Alternative Press 97 August 1996 70 The Guardian 4 5Ash: 1977 (Infectious) The Guardian 10 May 1996 Sullivan Caroline NME 7/10https://www.nme.com:80/reviews/reviews/19980101001083reviews.html Ash 1977 NME 4 May 1996 14 July 2017 Cigarettes Johnny https://web.archive.org/web/20000817225504/http://www.nme.com/reviews/reviews/19980101001083reviews.html 17 August 2000 dead The Philadelphia Inquirer 3 4DeLuca Dan A guide to the explosion in pop music that's got the British all excited The Philadelphia Inquirer 4 August 1996 Q 4 5Collins Andrew Ash: 1977 Q 118 July 1996 112 1977 was met with generally positive reviews from music critics. AllMusic reviewer Stephen Thomas Erlewine said that, by "sticking to the rigid rules of American punk-pop", Ash opted for a "cinematic approach to their songs", resulting in 1977 being a "melting pot of pop styles". He added their use of "loud guitars" offers a "distinctive, melodic, and energetic sound that's equal parts heavy grunge and light pop". Ox-Fanzine Joachim Hiller wrote that if the listener was "looking for the missing link between Oasis and Elastica, [they] should find it here," adding that the band's "mixture of girl seductive sugar pop and evil grater guitars with seventies rock quotes" is everywhere, and is "very catchy and somehow as tasty as French fries".https://www.ox-fanzine.de/review/ash-1977-cd-24553 Ash 1977 CD Ox-Fanzine Hiller, Joachim 1997 16 November 2020 DE 17 November 2020 https://web.archive.org/web/20201117113834/https://www.ox-fanzine.de/review/ash-1977-cd-24553 live Porter said that while it was not a "perfect album, by any means, [... it was] more intelligent, more alive than the slightly condescending tone of the reviews suggest".Porter 1997, p. 46 Mark Jenkins of The Washington Post wrote that if he were to "judge only from the guitar squall" opening the album, it would appear that "the band prefers noise to melody" as previously shown on Trailer; however, he felt the "balance has shifted on this disc", with it showcasing "classic tunefulness over raw aggression".Jenkins Mark Ash: 1977 The Washington Post 19 July 1996 10 Q reviewer Andrew Collins said the album "benefits from having its raw power harnessed" by Morris and was "pulled off with 100 per cent enthusiasm; hey, these boys make pointless distorted introductions [to some songs] sound like fun." NME Johnny Cigarettes wrote that with "a single listen", he was certain the band had "cured themselves" of becoming generic, as he had noted with their early singles. He added that "[w]hat invariably saves them from mature-rock-band hell, just as it has saved them from generic-indie-band hell are those simple, honest, priceless standbys - top-hole tunes". Tim Hulsizer of Consumable Online wrote that 1977 was "every bit as fun and catchy" as Trailer, going on to call it a "very cohesive, fluid album".http://www.westnet.com/consumable/1996/08.28/revash.html https://web.archive.org/web/20010711034241/http://www.westnet.com/consumable/1996/08.28/revash.html Ash, 1977- Tim Hulsizer Consumable Online 28 August 1996 11 July 2001 25 September 2022 MTV writer Michael Krugman said that the album saw the band "teetering on the brink of maturity--only they're plainly fighting it by throwing their weight in the other direction". He mentions the album "occasionally trips over its own giant steps", noting a couple of generic and underdeveloped tracks, before citing the album's "real flaw...lies in the hands of someone who should have known better", criticising Morris' "excessively noisy and often quite murky" production, stating the "punk rock gets muddied, while experimental bits...are strangely obscured".http://www.mtv.com/mtv/music/reviews/archive/blather/ash_1977.html https://web.archive.org/web/19971015150940/http://www.mtv.com/mtv/music/reviews/archive/blather/ash_1977.html Ash 1977 MTV Krugman, Michael 15 October 1997 14 November 2020 Victoria Segal of Melody Maker was dismissive of the album, stating that it "never aspires to be anything beyond My Guy indie, boys-next-door making music for girls-next-door".Porter 1997, p. 45 Retrospective reviews Retrospective reviews Alternative Rock 7/10Thompson 2000, p. 162 Drowned in Sound 8/10http://drownedinsound.com/releases/4742/reviews/898- Album Review: Ash – 1977 Drowned in Sound 21 April 2001 20 April 2020 Albert Joss 28 August 2020 https://web.archive.org/web/20200828172049/https://drownedinsound.com/releases/4742/reviews/898- live The Irish Times 4 5https://www.irishtimes.com/culture/reissue-1.903770 Ash: 1977 Collector's Edition/Remastered The Irish Times Boyd, Brian 31 October 2008 14 July 2017 17 November 2020 https://web.archive.org/web/20201117113814/https://www.irishtimes.com/culture/reissue-1.903770 live Mojo 4 5Ash: 1977 Mojo 2008 118 [T]he bonus material commemorates Ash's early breadth, with a masterful cover of Abba's 'Does Your Mother Know?' offset by creditable faux-American post-hardcore in the shape of '5am Eternal.' Drowned in Sound reviewer Joss Albert called 1977 an "album by the young for the young". He said that while it was not "perfect or complete, the severe hooks of the best of the Brut smothered tunes will always get 1977's name mentioned". Spectrum Culture contributor John L. Murphy noted that in spite of the "clear influences and the passage of time, 1977 still sounds fresh", with "fast pop dominat[ing]" after the initial listen. Only "repeated airings reveal craft in softer songs", their "cinematic" scope, and "sentimental" lyrics.https://spectrumculture.com/2016/07/13/holy-hell-ashs-1977-turns-twenty/ Holy Hell! Ash's 1977 Turns Twenty! Spectrum Culture Murphy, John L. 13 July 2016 16 November 2020 4 February 2017 https://web.archive.org/web/20170204210738/http://spectrumculture.com/2016/07/13/holy-hell-ashs-1977-turns-twenty/ live BBC Music's Mike Diver wrote that the album was likely "remembered by those who shared in its sentiments – written by a trio of teenagers, for an audience of the same, it preoccupied itself with chugging alcohol, chasing after girls and messing about with martial arts".https://www.bbc.co.uk/music/reviews/xz5c/ Music - Review of Ash - 1977 BBC Music Diver, Mike 2012 16 November 2020 30 September 2016 https://web.archive.org/web/20160930103102/http://www.bbc.co.uk/music/reviews/xz5c/ live Thompson praised the band for "pull[ing] their disparate styles together by gluing the joints with a coat of indie rock – which amazingly does the trick." The Irish Times writer Brian Boyd said the band "come racing out of the traps with a giddy pop sound", though he was "not sure why the band feel the need to release [a triple disc edition] ... as this will surely only appeal to their fanbase. But maybe's that the point." Record Collector reviewer Emmy Watts described the album as a "grungy slice of Britpop" that "has not aged well". She noted that at the time, the "rough spontaneity" of Wheeler's "flat vocals" and McMurray's "muffled drumming" aided their inexperience, however, "the original format just highlights the recording's poor quality".http://recordcollectormag.com/reviews/ash1977-collectors-edition Ash 1977: Collector's Edition Record Collector Watts, Emmy 19 November 2008 16 November 2020 28 August 2020 https://web.archive.org/web/20200828172839/https://recordcollectormag.com/reviews/ash1977-collectors-edition live "Sick Party" was included on Pitchfork 2010 list of "ten unusual CD-era gimmicks".https://pitchfork.com/features/staff-lists/7856-a-feature-about-nothing-the-1990s-in-lists/4/ https://web.archive.org/web/20160220063248/http://pitchfork.com/features/staff-lists/7856-a-feature-about-nothing-the-1990s-in-lists/4/ A Feature About Nothing: The 1990s in Lists - Page 4 Pitchfork 20 February 2016 16 November 2020 dead Commercial performance and accolades 1977 peaked at number one in the UK; while Porter said it sold 165,000 copies in its first week, Bowler and Dray estimated the opening sales to be around 122,000 copies.Bowler; Dray 1997, p. 120 It became the first album from an Irish group to debut at number one in the UK.Porter 1997, p. 47 It also reached number five in Scotland, number 14 in New Zealand, number 18 in Australia, number 26 in Finland and Norway, number 40 in Switzerland, number 44 in Sweden, number 65 in Germany, and number 75 in the Netherlands. The album was certified platinum by the British Phonographic Industry in the UK. "Kung Fu" charted at number 57 in the UK.http://www.zobbel.de/cluk/CLUK_A.HTM Chart Log UK: A - Azzido Da Bass Zobbel.de 16 November 2020 10 April 2016 https://web.archive.org/web/20160410012538/http://www.zobbel.de/cluk/CLUK_A.HTM live "Girl from Mars" charted at number 11 in the UK. "Angel Interceptor" charted at number 14 in the UK, and "Goldfinger" charted at number five in the UK, and number 50 in Australia.https://australian-charts.com/showinterpret.asp?interpret=Ash australian-charts.com - Discography Ash Hung Medien 16 November 2020 16 August 2016 https://web.archive.org/web/20160816035629/http://australian-charts.com/showinterpret.asp?interpret=Ash live "Oh Yeah" charted at number six in the UK. 1977 is included in the book 1001 Albums You Must Hear Before You Die; it is ranked at 417 on the NME poll of the 500 greatest albums of all time.https://www.nme.com/photos/the-500-greatest-albums-of-all-time-500-401-1426363 The 500 Greatest Albums Of All Time: 500-401 NME 21 October 2013 21 January 2017 6 August 2018 https://web.archive.org/web/20180806115322/https://www.nme.com/photos/the-500-greatest-albums-of-all-time-500-401-1426363 live + Accolades for 1977 Publication List Rank Ref. Reference Alternative Press Best punk albums of 1996 N/A https://www.altpress.com/features/best-punk-albums-of-1996/ Best punk albums of 1996 Classic punk records Alternative Press Stegall, Tim 25 June 2021 25 June 2021 25 June 2021 https://web.archive.org/web/20210625165815/https://www.altpress.com/features/best-punk-albums-of-1996/ live Robert DimeryMichael Lydon 1001 Albums You Must Hear Before You Die N/A Hot Press 100 Greatest Irish Albums 17 https://www.hotpress.com/uncategorized/1977br17100-greatest-irish-albums-2765467 1977 (17/100 Greatest Irish Albums) Hot Press 17 November 2004 6 May 2022 6 May 2022 https://web.archive.org/web/20220506212941/https://www.hotpress.com/uncategorized/1977br17100-greatest-irish-albums-2765467 live NME The 500 Greatest Albums of All Time 417 Track listing Writing credits per booklet. All recordings produced by Owen Morris and Ash. Lose Control Mark Hamilton Tim Wheeler 3:37 Goldfinger Wheeler 4:31 Girl from Mars Wheeler 3:30 I'd Give You Anything Wheeler 4:31 Gone the Dream Wheeler 3:29 Kung Fu Wheeler 2:17 Oh Yeah Wheeler 4:45 Let It Flow Wheeler 4:42 Innocent Smile Mark Hamilton 5:52 Angel Interceptor Wheeler Rick McMurray 4:04 Lost in You Wheeler 4:19 Darkside Lightside includes hidden track "Sick Party"; not on all versions Wheeler 16:49 61:52 Personnel Personnel per deluxe booklet.1977 Deluxe Edition Ash 2008 booklet Infectious Records 5186 50450 5 Ash Mark Hamilton – bass Rick McMurray – drums Tim Wheeler – guitar, vocals, string arrangements Additional musicians Nick Ingman – string arrangements Lisa Moorish – extra vocals (track 7) Production Owen Morris – producer, string arrangements Ash – producer, interior photography Nick Brine – studio assistant Sorrel Merchant – studio assistant Neil Kiely – studio assistant Phil Thornalley – mixing (track 3) Mark "Spike" Stent – mixing (track 10) Design Brian Cannon – design, sleeve director, interior photography Mark Hamilton – artwork assistant Ed van der Eisken – cover photography Ash – interior photography Rolant Dafis – interior photography Charts and certifications Weekly charts +Chart performance for 1977 Chart (1996) PeakpositionAustralia 18 Ash 1977 true 4 September 2020 AuschartNetherlands 75 Ash 1977 true 4 September 2020 NLchartFinland 26 Ash 1977 true 4 September 2020 FinchartGermany 65 2326 Ash 1977 true 4 September 2020 GerchartNew Zealand 14 Ash 1977 true 4 September 2020 NZchartNorway 26 Ash 1977 true 4 September 2020 NorchartScotland 5 19960518 true 4 September 2020 ScotchartSweden 44 Ash 1977 true 4 September 2020 SwechartSwitzerland 40 Ash 1977 true 4 September 2020 SwitchartUK2 1 19960518 true 4 September 2020 UKchart Year-end charts +1996 year-end chart performance for 1977 Chart (1996) Position UK Albums (OCC)https://www.officialcharts.com/charts/end-of-year-artist-albums-chart/19960107/37502/ End of Year Album Chart Top 100 – 1996 Official Charts Company 4 September 2020 9 August 2020 https://web.archive.org/web/20200809075837/https://www.officialcharts.com/charts/end-of-year-artist-albums-chart/19960107/37502/ live 31 Certifications Certifications for 1977 United Kingdom album Ash 1977 Platinum UKcert 76-2048-2 yes References Citations Sources Bowler Dave Dray Bryan Ash: Minds on Fire 1997 Boxtree London 0752223496 McDermott, Paul Paul McDermott (documentarian) https://anchor.fm/tohereknowswhen/episodes/EP19---1977-by-Ash-e1kcp2l EP19 - 1977 by Ash To Here Knows When Anchor.fm 24 June 2022 McLoone, Paul https://www.youtube.com/watch?v=16XvTvv4K10 Up Close & Personal: Ash – 1977 Hot Press YouTube 10 February 2022 Nixon Neil Buckley Peter https://books.google.com/books?id=7ctjc6UWCm4C&pg=PA42 The Rough Guide to Rock 2003 Rough Guides 978-1-84353-105-0 Other Amelia Unlisted Numbers The Spokesman-Review 13 August 1996 https://books.google.com/books?id=zMwiAAAAIBAJ&pg=PA39 Porter Charlie Ash: 77–97 1997 Virgin Books London 0-7535-0120-1 Ross Sean Modern Rock Rock Airplay Monitor 17 November 1995 2 47 https://worldradiohistory.com/Archive-All-Music/Billboard/Billboard-Rock-Airplay/1995/Airplay-Monitor-Rock-1995-11-17.pdf Ross Sean Modern Rock Airplay Monitor 31 May 1996a 3 23 https://www.worldradiohistory.com/Archive-All-Music/Billboard/Billboard-Rock-Airplay/1996/Airplay-Monitor-Rock-1996-05-31.pdf 20 October 2023 4 October 2023 https://web.archive.org/web/20231020015354/https://www.worldradiohistory.com/Archive-All-Music/Billboard/Billboard-Rock-Airplay/1996/Airplay-Monitor-Rock-1996-05-31.pdf dead Ross Sean Advertisement Rock Airplay Monitor 26 July 1996b 3 31 https://www.worldradiohistory.com/Archive-All-Music/Billboard/Billboard-Rock-Airplay/1996/Airplay-Monitor-Rock-1996-07-26.pdfJuly 2026 InternetArchiveBot Thompson Dave Dave Thompson (author) Alternative Rock Third Ear: The Essential Listening Companion 2000 Miller Freeman Books San Francisco, California 0-87930-607-6 External links 1977 at YouTube (streamed copy where licensed) Press release at Reprise Records Category:1996 debut albums Category:Ash (band) albums Category:Infectious Records albums Category:Albums produced by Owen Morris Category:Albums recorded at Rockfield Studios